This is the 10th installment of the My Kind Of Folk Restoration Project and the second of four Al Stewart sessions recorded for the program between 1968 and 1969. Both of these songs are radically different from the officially released album recordings.

Al Stewart
BBC sessions: My Kind Of Folk
BBC broadcast on February 12, 1969
Produced by Frances Line

Source: off air master reel

Lineage: master reel (transfer information unknown) -> AIFF 16bit/44.1k -> **editing/restoration -> wav -> flac

Al Stewart - vocals, guitar

1 In Brooklyn 04:00
2 My Enemies Have Sweet Voices 03:07

My Kind Of Folk Restoration Project:

Welcome to this installment of the My Kind Of Folk Restoration Project, featuring many lost BBC "My Kind Of Folk" sessions. These aircheck recordings were discovered in a private collection and have not circulated before. An old friend in London well aware of my rabid interest in all things Sandy Denny, alerted me to this stash of tapes last year as he thought it might contain a new source recording of her. I said I'd be happy to investigate. A drive with the unedited (and in many cases, unidentified) AIFF files of approximately 90 reel transfers arrived shortly thereafter.

Primarily recorded and transmitted during 1968 and 1969 and long since wiped from the BBC archives, these sessions feature many of the key musicians from the 1970s U.K. folk/rock scene at earlier embryonic stages in their careers. To a lesser extent, American folk musicians are also represented, including an uncharacteristically serious Arlo Guthrie, Jackson C. Frank (of whom no live recordings have ever previously surfaced), and the earliest James Taylor recording to ever surface. Delightful surprises also turn up, including two sessions by the elusive Shelagh McDonald, and Giles, Giles & Fripp (4/5 of King Crimson mk1: Robert Fripp, Michael Giles, Peter Giles & Ian McDonald) backing Al Stewart!

Thankfully, this project reconnected me with another old friend, kneesfudd, who has agreed to help restore and remaster these recordings. I benefited from his expertise on the subject matter decades ago and I admire his attention to detail, so we make a good team - not to mention we're both Fairport fanatics. We go back to the days of traveling to another state with multiple analog decks in tow and dubbing continuously until the blanks ran out. Due to both of our schedules nowadays, we don't anticipate a fast rollout, so expect this project to be rolling for the next several months, if not longer, as weÕre addressing these sessions as free time permits.

**As great as these sessions are, the recordings are far from perfect. Many were over-saturated when recorded and some were over-saturated AND then under-recorded during transfer. They were all broadcast in mono and nearly all of them require level correction and have one channel that sounds superior to the other. Tape speed issues have also been prevalent; some even varying in speed within a single program. Speed correction will be addressed when possible, but may be averaged or estimated in some circumstances to achieve consistancy within any given song or program. The bottom line is that these recordings suffer from various forms of distortion, as we're dealing with analog 'off air' source tapes made with unknown equipment nearly half a century ago. Kneesfudd and I are addressing all of these issues to the best of our abilities, while consciously avoiding noise reduction, EQ or anything that further degrades these historic recordings.

Despite any issues, this is certainly a treasure trove of lost BBC sessions and there's a great deal to enjoy here. Please share them freely and help us spread them around to those who care. Alan Bershaw - 2017