Bob Dylan
'Strip Tease'

source: 1964-'65 Studio Outtakes

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lineage: silver disk > eac > flacs > upload
comments: picked this up at a 'record convention' a while back.
info from bobsboots, omitted 3 tracks which have been officially released. just put them back in from your copy of bootleg series vols 1 thru 3. enjoy!
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Tracks:
omitted track: It Takes a Lot to Laugh
She Belongs To Me
omitted track: Killing Me Alive (Sitting On A Barbed Wire Fence)
Love Minus Zero
If You Gotta Go, Go Now
On The Road Again
It's All Over Now Baby Blue
omitted track: The Cough Song (Suze)
I'll Keep It With Mine
California
Bob Dylan's New Orleans Rag
East Laredo Blues
That's Alright Mama
Lay Down Your Weary Tune
The Song It Was Long (Eternal Circle)
Percy's Song
I Was Young When I Left Home
In The Evening (When The Sun Goes Down)
Long John

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Information:
source:
The material here is various 1964-65 studio outtakes from Another Side, Bringing It All Back Home, and Highway 61 sessions. Long John from the Tony Glover home recording of Dec.22, 1961 is tacked on for filler
Manufacturer / Catalog No.
Toasted - Condor / 1965 Press ID # T303 5316

Released:
1989
Quality:
6-7 stars

Review:
This CD is packed with great outtakes from 64-65. Unfortunately, the overall sound is a little muffled. It's quite enjoyable, however, and not nearly so bad as to deter acquisition. Although recorded at the correct speed, the muddy sound gives everything the feeling of being slow. A couple of these songs, Sitting On A Barbed Wire Fence and It Takes a Lot to Laugh, have since been released on the official Bootleg Series in incomparable quality, but there are count-offs and endings here that are faded out on the official release. On Suze, Bob can be heard saying "OK" right before the cut off. I'll Keep It With Mine is a different, slightly more up tempo version than the released one, with a superimposed 3/4 time feel. Eternal Circle is different, with a harp solo at the end. If You Gotta Go, Go Now begins with a drum and guitar intro. The package is quite nice, with a sharp looking full color cover, and a period black and white photo on the back. As the manufacturer is actually TMQ, the title and front cover came about simply because they already had it camera ready from an LP project of two years earlier. The biggest problem with this package is one that has always haunted TMQ. There is no historical information what-so-ever as to dates, sessions, etc.