Charlie Musselwhite and the Dynatones
San Francisco, CA
THTP Release 84
Stage mics > splitter (split to house snake/SBD and TH snake) > TH dedicated snake >
Peavy MkII 12 channel mixing board (10 channels snake, 2 channels audience mics) >
AKAI GXC-570D Cassette Deck (Dolby B on) > TDK SA-90 tape
1999: Sony TC-KA3ES > TDK SA-90 tapes playback (NO Dolby) > BBE 462 Sonic Maximizer (to clean up tapes) >
Tascam DA-30 DAT > HHb DAT-125 DAT tape
2002: HHb CDR-850 Professional CD Recorder (In real time) > HHb CDR74 Gold 100 year archival grade CDRs
2005: Transfered to HDD in AIFF file format
Dime release processing: AIFF Master Files > FFMPEG > 16 bit FLAC 8 > tagging, cover artwork, checksums.
Recorded, preserved, and master AIFF files provided by: Terry Hammer
01. No Money Down (the Dynatones) (Chuck Berry)
02. No Money Down
03. Slippin' And Slidin'
04. Love Me Mama
05. (title ?)
06. (title ?)
07. (title ?)
08. (title ?)
09. (title ?)
Charlie Musselwhite - harmonica
Danny Ray (Dan Feinstein)? - tenor sax
? - drums
Steve Ehrmann - bass
? - guitar
* Takes too much time to figure out the band members and tracklists, so any help here appreciated.
* Note that Dynatones open up on the first song before Charlie M. comes on stage.
* As with THTP 83, Mark Naftalin, it's not too hard to find, as noted below, that these guys were at least in part inspiration for the characters in the Blues Brothers movie. And that's pretty easy to hear in these tracks! There's the model for Jake and Elwood to follow.
* About Danny Ray: https://en.wikipedia.org/wiki/Danny_Ray_(saxophonist)
"Danny Ray (born Dan Feinstein; February 1, 1951 in New York, United States) is an American tenor saxophonist, known for his sax style, evolved from early punk rock and R&B roots and is a long-time contributing artist to the New York City music scene. He's long been identified with the moniker, "Exploding Sax".
A list of artists Danny Ray has performed with from 1975 to the present:
Sylvain Sylvain, Jerry Nolan and the Ugly Americans, Johnny Thunders, The Waldos, Walter Lure, Rob Stoner, Tony Garnier, Chris Spedding, Lydia Lunch, Anton Fig, Howie Wyeth, Lenny Kaye, Anton Fier, Mike Ness, Alejandro Escovedo, Richard Bacchus, Robert Gordon, Lydia Lunch, The Dickies, Brian Setzer (with The Tomcats), Wayne Kramer, Catherine Popper, New York Dolls, The Persuasions, D Generation, Jesse Malin, Richard Bacchus and the Luckiest Girls, Captain Sensible, The Dickies, Bo Diddley, Roy Buchanan, Earl Scruggs, Bobby Steele, Burny White, Wild Bill Thompson, Steve Conte, Edward "Little Buster" Forehand, Kenny Margolis, River City Rebels, Seamonster, Andy Rosen, Spacehog, Six Gun Republic, Peter Missing (Missing Foundation), The Loveless, Philippe Marcade, The Backbones, The Senders, The Drossells, The Sheiks. The Emily Duff Band "
* Charlie Musselwhite's website: https://www.charliemusselwhite.com/
"Charlie Musselwhite’s journey through the blues was from his birth in Mississippi to Memphis, Chicago and California. Arriving in Chicago in the early sixties, he was just in time for the epochal blues revival. In 1966 at the age of 22 he recorded the landmark Stand Back! to rave reviews. A precipitous relocation to San Francisco in 1967, where his album was being played on underground radio, found him welcomed into the counterculture scene around the Fillmore West as an authentic purveyor of the real deal blues."
* About Charlie Musselwhite: https://en.wikipedia.org/wiki/Charlie_Musselwhite
"Charles Douglas Musselwhite (born January 31, 1944) is an American electric blues harmonica player and bandleader, one of the white bluesmen who came to prominence in the early 1960s, along with Mike Bloomfield and Paul Butterfield, or bands such as Canned Heat. He has often been identified as a "white bluesman". Musselwhite was reportedly the inspiration for Elwood Blues; the character played by Dan Aykroyd in the 1980 film The Blues Brothers."
* Dynatones discogs: https://www.discogs.com/artist/2608646-The-Dynatones-3
* About Old Waldorf: https://en.wikipedia.org/wiki/Old_Waldorf
"Old Waldorf was a music venue located in San Francisco, California. The famous club was located at 444 Battery St, and was originally opened by Jeffrey Pollack in 1976 before selling it to Bill Graham who closed it in 1983. During its time Old Waldorf hosted some of the biggest names in the music industry, such as AC/DC, Dire Straits, Blue Öyster Cult, Iggy Pop, Blondie, Rory Gallagher, Metallica, Pat Benatar, R.E.M., Spirit, Poco, U2 and Dead Kennedys.
The Punch Line comedy club now occupies part of Old Waldorf's location.".
Note: 444 Battery Street (at Washington St.) is about 6 blocks from the location of the Mabuhay Gardens (at Broadway & Montgomery/Kearny), which was in a much seedier part of town (The Famous Carol Doda Condor Strip bar was right by the Fab Mab, on the corner of Broadway and Columbus). But the Old Waldorf was situated right in the heart of the downtown business district, which tended to be completely empty at night after the business crowd had left, so these two venues were very different in feel.
Terry: "The Punch Line was always on the one side of the Old Waldorf building. Jeffrey owned it also. He let me mix shows there a few times when there was no comedy going on that night so I could have some isolation."
* Includes photos.
No distribution in lossy formats!!
Yes sharing. Definitely share.
Support the artists when or if they play, and buy their records/merchandise.
Please correct any errors or oversights in this information in the comments section so the information can be as accurate as possible.
If you can find related materials like flyers, posters, ticket stubs, even photos, etc, please add them in a comment and I will add them to the main release folder, so that can be included on the next re-seeding. Every bit is welcome, and as I am time constrained on this project due to the amount of material, I cannot spend as much time on each release doing research as I would like, so if we can add to and improve the information and release contents during this series, that would be great.
Please make an effort to pick at least one of these THTP releases and keep it seeded for as long as you can, particularly the lesser known groups. That will really help out long term.
About Terry Hammer and the THTP:
Someone put my feelings very well about these recordings in the following quote. I can't really improve on their words beyond noting that these recordings sound absolutely and utterly stunning, and I consider myself incredibly lucky to be able to present these to you here in their original, first generation, lossless hi-fidelity versions, for the first time ever.
"[These recordings were] recorded and preserved by collector/engineer Terry Hammer, for broadcast over the UC Berkeley station KALX and several others from the 1979 -1981 period. Anyone who spent a night at one of these clubs knows how chaotic the atmosphere was. That he was able to, not only get a decent feed from the sound mixing board, but was also able to get clean recordings was something of a miracle. And the fact this guy did it over and over again is pure dedication to the cause of preserving history for decades to come. Fortunately for everyone, he’s been making these gems of history available and their value as historic documents is inestimable. This is really exciting stuff and I am grateful for Terry’s foresight and deft skill."
As Terry notes about the process of recording these shows: "Like all of my live recordings this was mixed direct to 2-Track Reel To Reel (and Cassette deck for backup and personal use) using headphones. Sitting in the club with the loud P.A. sound trying to drive the amp in my mixing board loud enough to hear what I was mixing.If you've ever been to a live concert,then,you know how loud it can be."
If you've ever been looking for an excuse to upgrade your sound system, these recordings certainly should provide you with some motivation, because they have incredible sound. And if you already have a quality sound system, you are in for a treat!! The audio goes straight to 20k hz, no losses I can detect. Due to the reality of tapes, even high end as used here, the low end starts at 47 hz.
And if you want to learn more about this incredible musical era, listen to the stuff you haven't heard, there are amazing gems in there.
Do we call these soundboards? Technically not precisely because this is not the house mix, these shows were mixed using a dedicated mixing board, with an additional 1 to 2 audience mics (1 for Mab because he needed 11 snake inputs), 2 at other clubs) in the mix. But I call it the Terry Hammer Tape Project (THTP) to make sure there is no doubt about the project's creator.
Note that Terry made 2 master recordings (recording at the same time) when he mixed these shows live:
1: Reel to reel, for the radio stations:
Technics RS-1500 Reel To Reel (mostly TDK Audua L-1800 & LB-1800 tape with back coating or Scotch 206 / 207 with back coating. Maybe a few Maxell UD-XL). All the KALX shows went to KALX, they supplied the reel to reel tape.
2: For his own use, and as backup in case something happened to the reels:
AKAI GXC-570D Cassette Deck (Dolby B on) > TDK SA-90 tape
Terry isn't sure, but thinks the audience mics he used maybe were Electro Voice EV-DS35's.
Images for all shows as well as full size images for this show.
Images for this show: