Eric Clapton
Royal Albert Hall
London, UK
February 18, 1992

** 16 BIT **

Release #46 of the "The Ultimate DGB Eric Clapton Master Series"

Source: Unknown mic > Sony WM-D6C (2 x Sony Metal-XR cassettes)
Transfer: Master cassettes > Nakamichi LX-5 (azimuth adjusted) > Edirol UA-25 USB Audio Interface Interface > Sound Forge Pro 11.0 Build 299 (HP G60 Notebook) > .WAV @ 24 bit/48 kHz
Mastering: .WAV > iZotope RX10 Advanced v10.0.0.1705 (De-click) > Sound Forge Pro 14.0 Build 140 [Splicing, minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) >
iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging)
Location: Stalls Row J5 Seat 40
Taped by: "DGB"
Transferred & mastered by: Dennis Orr

Setlist: (2:24:18)
01 White Room
02 Pretending
03 Anything For Your Love
04 I Shot The Sheriff
05 Running On Faith
06 She's Waiting
07 Circus Left Town
08 Tears In Heaven
09 Signe
10 Malted Milk Blues
11 Nobody Knows You When You're Down And Out
12 Tearing Us Apart
13 Before You Accuse Me
14 Old Love
15 Badge >
16 Wonderful Tonight
17 Layla
18 Encore Break
- Encore -
19 Crossroads >
20 Sunshine Of Your Love >
21 Ray Cooper Percussion Solo >
22 Sunshine Of Your Love
23 Crowd

Eric Clapton – lead vocals & guitar
Andy Fairweather Low – guitar
Chuck Leavell – keyboards
Nathan East – bass & backing vocals
Steve Ferrone – drums
Ray Cooper – percussion
Katie Kissoon – backing vocals
Tessa Niles – backing vocals

Mastering Notes:
Tape flip during the applause after "She's Waiting" - seamlessly spliced, no music lost
Tape flip during the applause after "Before You Accuse Me" - seamlessly spliced, no music lost
Tape flip during the "Encore Break" applause - seamlessly spliced, no music lost

For some reason the applause greatly distorted after "Circus Left Town". I cut out this section and applied fades out and back in.
The right channel was very noisy during "Tears In Heaven" and "Signe" - I copied the better left channel over the right in this section, but there is still some noise here and on into "Malted Milk Blues".