Frank Zappa: lead guitar, vocals
Steve Vai: guitar
Ray White: rhythm guitar, vocals
Tommy Mars: keyboards
Bobby Martin: keyboards, sax, vocals
Scott Thunes: bass, vocals
Ed Mann: percussion
Chad Wackerman: drums

Case Center
Boston University
Boston, Mass. USA
November 7, 1981 (both shows)
touring the album "you are what you is"
runtime: 222:28 (minutes/seconds)

1st show 112:37
1: watermelon in easter hay (with band intros) 7:50
2: you are what you is 3:50
3: Mudd Club 2:27
4: the meek shall inherit nothing 3:44
5: dumb all over > 6:14
6: heavenly bank account 3:38
7: suicide chump 5:55
8: jumbo go away > 4:01
9: envelopes 2:56
10: city of tiny lights 10:01 (spliced at 5:04, tape flip)
11: we're turning again 5:10
12: alien orafice > 5:19
13: teenage prostitute > flakes 13:08
14: broken hearts are for assholes > the blue light 8:35
15: tinseltown rebellion 5:07
16: yo mama 9:36 (end cuts, tape ran out)
encores:
17: camarillo brillo > 4:53
18: muffin man 5:07
19: zoot allures 10:22

2nd show 109:51
1: black napkins 6:18
2: Montana 3:54
3: easy meat 8:11
4: Bobby Brown 2:38
5: Sharleena 8:46
6: a pound for a brown 11:47
7: cosmic debris 5:08 (spliced, tape flip)
8: drowning witch 6:30
9: drowning witch cont'd > what's new in Baltimore > Mogglio 9:41
10: bamboozled by love 5:36
11: sinister footwear 6:12
12: Stevie's spanking 8:05
13: cocaine decisions 3:37
14: nig biz 5:00
15: goblin girl > black page #2 9:08 (spliced, tape change)
encores:
16: Joe's garage > why does it hurt when I pee? 5:42
17: love of my life 3:34

lineage:
unknown mike >
sony WMD-5 cassette recorder >
probably Maxell XLII master cassettes >
1st gen. trade copy, Maxell XLII cassettes >
played on nak. 300 into soundforge (wav) >
flac (sb's aligned) > torrentially yours.
do not sell this reording.
share freely, losslessly and gaplessly.

notes:
this recording was made from the back of the arena.
the sound in this place was not very good and it is
not an up close recording, but it is quite listenable
and all vocals and instruments can be heard
neither the master (at the time this copy was made,
probably about 2-3 years after the show) or the copy
has been played alot before or since this copy was made.
this is a mono recording, and doesn't have any major issues,
only that this is no place for a concert,
probably some sort of arena type building.