Gulf Coast Guitar Summit
Andrew "Jr. Boy" Jones, Phillip Walker & Sherman Robertson
Waterfront Blues Festival
Portland, OR.
July 5, 2008


Recorded from KBOO FM. An all volunteer radio station in Portland. FM>HD>FLAC>Dime or at times FM>H2 ZOOM>HD>FLAC>Dime. As always there are some bumps in the road, but nothing that would stop me from down loading these shows. I've tried to fix all the drops and pauses in the music. Enjoy the festival, twofthrs

Andrew "Jr. Boy" Jones

Dallas guitarist Andrew "Jr. Boy" Jones teams up with Louisiana bluesman Sherman Robertson and Texas blues veteran Phillip Walker for a Gulf Coast Guitar summit, Friday, July 4, and a Tribute to Freddie King, Saturday, July 5.

Guitarist, songwriter and singer Andrew "Jr. Boy" Jones began working professionally at age 16 with Freddie King's backing band, the Thunderbirds. He got his first guitar from his uncle, jazz musician Adolphus Sneed. For many years, he's backed various Dallas-area vocalists on guitar, but in the mid-1990s, he came into his own as a vocalist with an album for JSP Records, I Need Time (1997), which showcases his crafty songwriting, great guitar playing, and powerful singing.

In 1967, Jones joined Dallas-area vocalist Bobby Patterson's band, the Mustangs. Through most of the 1970s, Jones backed various artists, including Johnnie Taylor and Charlie Robertson. In late 1987, Jones moved to California and joined the Silent Partners with bassist Russell Jackson and drummer Tony Coleman, longtime drummer with B.B. King's band (and in recent years a part-time resident of Portland). Jones recorded with the late pianist and singer Katie Webster on her critically praised Alligator Records album, Swamp Boogie Queen.

While recording with Sonny Rhodes, Jones met harmonica ace Charlie Musselwhite, who persuaded him to join his band. Jones played guitar on Musselwhite's three late-1980s/early-1990s albums for Alligator Records (Ace of Harps, In My Time, and Signature) and did extensive touring with the harmonica master (Jones appeared with Musselwhite at the Waterfront Blues Festival in 1995).

Jones left Musselwhite's band amicably in the mid-1990s and returned to Dallas, where he accompanies Dallas-area blues singers like R.L. Griffin, Hal Harris and the Lowlifers.

Phillip Walker
Phillip Walker (born February 11, 1937, Welsh, Louisiana) is a contemporary blues guitarist most noted for his 1959 hit single, "Hello My Darling", produced by J.R. Fulbright. Although Walker has continued playing since then, he has recorded fairly sparsely.

Walker grew up on the Texas Gulf Coast, and by his mid-teens was playing guitar in Houston. He rubbed shoulders with Lonesome Sundown (whom he would work again in the 1970s) and Lonnie Brooks. In the mid-1950s he had a spell in Clifton Chenier's band. He spent the 1960s in Los Angeles, California leading a band that played a catholic repertoire of the R&B charts, joined by his singing wife Ina, alias Bea Bopp. Singles furnished his album The Bottom of the Top (Playboy, 1973), succeeded by sets for Joliet, Rounder, Hightone, JSP and Black Top.[1]

Walker is also known for his variety of styles and the changes he would often make for each album. Not until 1969 did he begin to record more regularly when he joined with producer Bruce Bromberg. Since then, fans of the blues guitarist have had a more steady supply of Walker's music.


Sherman Robertson
"Guitar Man - Live is VERY VERY good indeed" - Paul Jones BBC Radio 2 15/12/05

"Guitar Man - Live - It's a worthy testament from one of the giants of the 21st Century blues world" Keith Fitton, Rock Wheel.

Sherman Robertson is already considered a young master of zydeco, hard-swinging Texas electric blues, R&B and swampy Louisiana blues. Robertson often surprises audiences with his ability to play R&B, zydeco and blues with a rock edge. "I use that driving, road-cooking type zydeco groove, and put blues on top of it," says Robertson. It's basically rhythm and feel." In June 2000, Robertson played at the Pioneer Valley Blues Festival in Massachusetts. Alligator president, Bruce Iglauer, was in the crowd. "He was always good,” he says, "but when I saw him in June he was on fire. He ruled the stage, had the audience in the palm of his hand, and his just plain physical showmanship reminded me of Albert Collins. As Soon as he walked of the stage I started talking about signing him. He's got that Texas energy, great guitar chops, and is a wonderful, soulful singer."

Set List {please help}
1. insturmental
2. street walkin' woman
3. unknown
4. big legs heavy bottom
5. guitar man?
6. unknown
7. it's long about midnight
8. seem like yesterday?
9. unknown