John Fogerty
Memorial Auditorium
Sacramento, CA
August 18, 1997

** 16 BIT **

Source: Sonic Studios DSM-6P w/3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6
Transfer: Master cassettes (Maxell XLII-S) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV @ 16 bit/44.1 kHz
Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); splicing, minor edits, normalize, & fades] > CDWav tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging)
Location: R FLR, row GG, seat 14
Recorded & transferred by: Steve "ballsdeep" Hagar
Mastered by: Dennis Orr

Setlist:
01 Born On The Bayou
02 Green River
03 Lodi
04 Looking Out My Back Door
05 Chat
06 Susie Q >
07 I Put A Spell On You
08 Chat
09 Bring It Down To Jelly Roll
10 Southern Streamline
11 Who�ll Stop The Rain?
12 The Midnight Special
13 110 In The Shade
14 Working On A Building
15 Chat
16 Joy Of My Life
17 Big Train From Memphis
18 Centerfield
19 Down On The Corner
20 Swamp River Days
21 Hot Rod Heart
22 Chat
23 Before You Accuse Me
24 Long As I Can See The Light
25 Band Intros
26 Old Man Down The Road
27 Chat
28 Blueboy
29 Walking In A Hurricane
30 I Heard It Through The Grapevine
31 Bad Moon Rising
32 Fortunate Son
33 Encore Break
- Encore -
34 Proud Mary
35 Travelin� Band

John Fogerty - lead vocals, guitars, & Dobro
Mike Canipe - guitar & backing vocals
Johnny Lee Schell - guitar & backing vocals
Bob Glaub - bass
Kenny Aronoff - drums & percussion

Show Notes:
I don't remember a whole lot here, other than when hitting these 3 Fogerty shows, this was the 'baby bear' of the 3. Memorial Auditorium holds well under 3,000, I believe (the Greek in LA is close to 7K, and the Shoreline is ginormous at nearly 20K). So this is the 'club' show of the 3. Not the best sound, but it sure could be worse! Big thanks to the tireless Dennis for his uploading prowess, and I'm sure the best of the 3 is on tap next!

---ballsdeep OUT!!!

Mastering Notes:
- Tape flip during the applause after "110 In The Shade" - seamlessly spliced, no music lost.
- Tape flip during the applause after "Old Man Down The Road" - seamlessly spliced, no music lost.
- Tape flip during the "Encore Break" applause - seamlessly spliced, no music lost.