Project/Object (Frank Zappa tribute) The Abbey Bar at the Appalachian Brewing Company Harrisburg, PA November 5th, 2010 approx 10pm - 1:15am Ike Willis - guitar & vocals Ray White – guitar & vocals Andre’ Cholmondeley – guitar, vocals David Johnsen – bass, vocals Eric Svalgard – keys, vocals John “Mumbo” Cochrane – drums, vocals 1st set: 1. soundcheck & intro (5:11) 2. Zoot Allures & band intros (6:55) 3. Can't Afford No Shoes (3:03) 4. monitor fixes (0:59) 5. Floentine Pogen (6:53) 6. tour announcements (1:00) 7. Cosmic Debris (5:55) 8. Son of Orange County (6:51) -> 9. More Trouble Every Day (6:00) 10. PA vs. MD (2:47) 11. Apostrophe' (7:51) 12. Uncle Remus (3:24) 13. Don't look at the cymbals (1:18) 14. Pick Me, I'm Clean (6:27) 15. Peaches en Regalia (3:28) 16. Wild Love (4:59) First Set Total Time: 73:09 2nd set: 17. soundcheck and intro (4:48) 18. Montana (6:57) 19. Big Swifty (4:48) -> 20. Bamboozled by Love (5:48) 21. The Illinois Enema Bandit (9:26) 22. Pound For a Brown (6:03) 23. City of Tiny Lights (7:54) 24. I'm the Slime (4:59) 25. Packard Goose (11:08) 26. announcements (1:59) 27. Echidna's Arf (Of You) (4:04) -> 28. Don't You Ever Wash That Thing? (5:42) -> 29. Approximate + band intros (3:34) 30. calls for encore (1:04) encore: 31. Inca Roads (12:46) Second Set Total Time: 91:08 Grand Total Time: 164:17 (2 hrs, 44 min, 17 sec) Recorded with a Tascam DP-004 digital "pocket studio". Amplified, mixed, filtered and split into tracks using Cool Edit. Converted to FLAC using FLAC Frontend. Notes: This recording came out listenable, but not great. The little overload/clipping warning lights on my recorder kept lighting up, so I kept turning the input levels down, and for the first set the right channel came out really low volume and the left channel came out almost inaudible. I used CoolEdit to amplify each channel and balance them out, but that introduced a bit of hiss (even though this is a digital recording), especially on the left. The second set came out a little better as I decided to ignore the warning lights and set the input levels a little higher. The acoustics of the venue didn't help either. The Abbey Bar is basically just the second floor of an old warehouse. It's been beautifully redecorated and they serve great beers there, but it still sounds like a warehouse. I saw at least three other people who were audio recording (one from the soundboard), and a couple people who were video taping, so hopefully some better recordings of this show will surface.