String Cheese Incident
Thursday, March 21st, 2002
Fillmore Auditorium, Denver
Colorado

Source: SBD/AUD Matrix Multitrack "Truck Tape" > Tascam DA-P1 > CD Master
CD Mastering: Tascam DA30 > HHB CDR800 Digital Clone from 48 khz DAT
to CDR 44.1 khz (using shielded coax digicable)
Lineage: CD Master > EAC > Cool Edit Pro > CD Wave > Flac (level 6)
Transferred on 10/16/06

~Set 1~
d1t01 - Pre-Show Announcement
d1t02 - Intro Set 1
d1t03 - Black Clouds
d1t04 - Black and White->
d1t05 - Search
d1t06 - chatter
d1t07 - Ten Miles to Tulsa
d1t08 - It Is What It Is
d2t01 - +Jam-> +Footprints-> ~Jam->
d2t02 - *Drums->
d2t03 - ^Jam->
d2t04 - ^Come As You Are

~Set 2~
d2t05 - Intro Set 2
d2t06 - Round the Wheel->
d2t07 - Outside Inside
d3t01 - MLT
d3t02 - Another Night
d3t03 - Best Feeling->
d3t04 - Don't Say->
d3t05 - Round the Wheel
d3t06 - encore break
Encore:
d3t07 - Signed Sealed Delivered (I'm Yours)
d3t08 - Daryl

d1: (53:56)
d2: (71:18)
d3: (62:24)

Guests:
+ with Stanton Moore (percussion), Skerik (saxophone), Brian Seeger (guitar),
John Ellis (saxophone), and Chris Wood (bass). They came out one at a
time as the stage was being setup.
~ only Travis, Stanton Moore, and Chris Wood
* only Travis and Stanton Moore
^ with John Ellis (on flute) and Skerik (on saxophone)

Notes:
* 'Don't Say' was unfinished

First Time Played: Signed, Sealed, Delivered (I'm Yours) (Stevie Wonder cover)
Opening Act: Stanton Moore featuring Chris Wood, Skerik, Brian Seeger and John Ellis

Mobile Truck Tape:
An audio mobile truck (also called a 'remote truck' or 'mobile recording truck') is
the same as a regular recording studio except that it's located in a vehicle.
This, of course, gives it the flexibility to move from place to place to record
live events where they happen.

A mobile truck recording is likely to be superior to taping from a SBD feed inside
the venue for several reasons:
-Provides a stable, known system that works
-Provides a constant listening Environment
-Provides a listening environment separate from the concert venue

When taping from a SBD feed inside the venue, usually the sound engineer inside
the venue will have to make certain adjustments make it to sound good in that
particular room. To some degree they are compensating for the inherent flaws
in the microphones, speakers, and how echoey/boomy/etc the room is.
The sound engineer makes sure things sound good through the PA, however, a recording is
likely to sound dramatically different through good studio monitors in a recording studio.

Editing Notes:
-Fades added at beginning and end of sets with Cool Edit Pro.
-Tracking done in CDWave.
-Transition between discs is seamless.
-EAC was performed with offsets corrected in secure mode.
-All tracks were 100% error free when extracted with EAC.