Tin Machine
David Bowie: lead vocals and guitar
Reeves Gabrels: guitar, vocals
Kevin Armstrong: rhythm guitar
Tony Sales: bass, vocals
Hunt Sales: drums, vocals

The World
N.Y.C. New York, USA
June 14, 1989
(first Tin Machine U.S. live show EVER)
1st gen. audience recording
runtime: 68:48 (minutes/ seconds)

setlist:
1: stage introduction > sacrifice yourself 2:57
2: heaven's in here 6:23
3: amazing 3;40
4: working class hero 4:22
5: tin machine 3:32
6: sorry 3:36
7: prisoner of love 5:00
8: bus stop (country version) 2:12
9: bus stop 1:37
10: I can't read 6:17 (> you've been around?)
11: video crime 3:52
12: baby can dance 6:58
13: run 3:52
14: crack city 5:18
15: pretty thing 4:27
16: under the god 4:39

lineage:
master cassette, recorded with unknown mikes and deck >
maxell XLII 90 min. 1st gen. copy cassette >
played on Nak. 300 into soundforge (wav) >
flac (sb's aligned) > torrentially yours.
a this and that production.
do not sell this recording.
one cannot put a price on a newborn tin machine any more than on the moon.
share freely, losslessly and gaplessly.

comments:
the 1st concert by Tin Machine was on at La Cigalle in Paris, France.
there was just one live Tin Machine song performed before
this concert in the USA, they played "heaven's in here" on May 31, 1989
at the International Music Awards in N.Y.C. the band is not
very polished and tight yet.
it sounds like they aren't very familiar with the songs yet.
this seems to be the full show.
they didn't know much more than this at the time.
they performed "heaven's in here" on may 31
at the "1st international rock awards" in N.Y.C.
next after this one was apparently 2 shows on june 16
at the Roxy in Hollywood, Los Angeles, Ca.
with a couple more the following night there too.
there was just one show on this night afaik.
it's in a small place. a club gig Tin Machine show before anyone even knew who they are.
yet another point in David Bowie's career that he was trying to reinvent everything he performs live
and not play ANY more of his "familiar oldies hits" any more (at least not with this group)
there's enough crowd to know it's not a soundboard recording
but the quality is enjoyable, crowd noise is not overbearing.
the taper of this and a few other delights heard here and elsewhere
chooses to not be identified, so his wishes will be respected
and gratitude expressed for yet another memorable episode of
rock history capured well so we can enjoy it alot more than just once.