please consign this info-sheet with the shared music - thanks !


TISH HINOJOSA & BAND
- February 19, 1997 -
Pfleghofsaal, Langenau, Germany
** SOUNDBOARD DAT-master, MWM 0176 **
>> NOT JUST a Tejano treasure, she's THE bilingual & multicultural
QUEEN OF TEXAS - FANTASTIC BAND & AWESOME SOUND (miseryman) << w/ samples




The next in the series

"the best kept American secrets"

and:

"desert-island concerts & artists" of my dad Leo & my promoter uncles


Torrent #301765 5 CHINESE BROTHERS
Torrent #302681 NEAL CASAL & Band
Torrent #304658 RICHARD DOBSON & The State Of The Heart Band


is the QUEEN OF TEXAS...no...

THE QUEEN OF THE WHOLE SOUTH-WEST:



Tish Hinojosa is one of the premier voices in contemporary folk music,
and an esteemed singer-songwriter whose music speaks to matters of the
heart and life as well as social concerns with eloquence and heart.



Tu eres estrella, mi faro de amor
Y sabes que pronto me ir� a morir
Ven y dime si me quiere un poco
porque yo no puedo
sin su amor vivir...




FOR THE FIRST TIME OUT OF OUR ARCHIVE,
IN THIS QUALITY AND SHEER VAST SIZE
COMPLETELY UNTRADED - PLEASE ENJOY!


And don't forget:

CRANK UP YOUR STEREO !! START DANCING !!
==============================






TISH HINOJOSA & BAND (the artists)

Pfleghofsaal (the venue)
Langenau (the city)
Germany (the country)

February 19, 1997 (the date)




Langenau is a town in the district of Alb-Donau in Baden-W�rttemberg in
Germany. It is situated 14 km northeast of Ulm. Langenau is located directly
on the Autobahn A7 and near the A8. At Langenau train station stop regional
trains from the Brenzbahn connecting with Ulm and Crailsheim.



as far as we know NONE of this recording was used commercially...so far...




the complete concert:

All songs by Tish Hinojosa unless otherwise specified.


CD 1 (59:16.69)

set 1:
1-01. intro by Tish 1:07.25
1-02. Farolito (Little Street Lamp) <Agustin Lara> 3:34.39
1-03. By The Rio Grande 3:49.09
1-04. ...this song was written as a poem... 0:53.60
1-05. Las Golondrinas (The Swallows) $ 3:59.17
1-06. West Side Of Town 4:54.22
1-07. -> Love Is On Our Side 4:58.69
1-08. Destiny's Gate 3:48.47
1-09. Saying You Will 3:01.16
1-10. ...promoting the new album... 1:13.60
1-11. When It Rains (Cuando Llueve) 3:42.52
1-12. Atlantico 3:59.67
1-13. La Llorona (the Weeping Woman) <Mexican traditional> � 1:23.30
1-14. -> Laughing River Running (Riendo El Rio Corre) % 3:37.63

set 2:
1-15. Edge of a Dream (Orilla De Un So�ar) # 4:42.08
1-16. Sacrifices (Sacrificios) 5:30.65
1-17. God's Own Open Road 4:30.39
1-18. band introduction 0:28.56

CD 2 (65:02.15)

2-01. ...about a local hero in Texas... 0:26.16
2-02. Chanate, El Vaquero (Chanate, The Cowboy) 3:57.04
2-03. ...dedicated to Am�rico Paredes ("With His Pistol In His Hand")... 1:51.45
2-04. Con Su Pluma En Su Mano (With His Pen In His Hand) 4:24.70
2-05. Dejame llorar (Let Me Weep) <Mexican folksong> 4:13.46
2-06....about Lydia Mendoza, San Antonio and Tish's family... 2:34.53
2-07. Something In The Rain 5:37.65
2-08. ...about the children's record Tish released... 1:05.62
2-09. Cada Ni�o (Every Child) <Tish Hinojosa/Robert Skiles> 3:53.63
2-10. ...thank you very much...thanks to Hans-Peter & Bruno... 1:04.38
2-11. Bandera Del Sol (Flag Of The Sun) 4:01.49

encore 1: +
2-12. ...you know the Flaco Jimenez/Ry Cooder version? 1:15.10
2-13. Poquita Fe (Little Faith) <Bobby Capo> 4:56.43
2-14. ...those guys here play the ball very good... 0:57.27
2-15. In the Real West 3:05.60
2-16. ...pretty hot in here...i'd like to leave you all with this one... 0:59.44
2-17. Voice Of The Big Guitar <Dude Martin> 5:21.20

encore 2: +
2-18. ...mad crowd noise...requests ? what you want... 1:32.58
2-19. Estrellita (Little Star) <Manuel Mar�a Ponce Cu�llar/Tish Hinojosa> 5:19.16
2-20. Closer Still 4:47.49
2-21. San Antonio Romeo 3:01.62
2-22. ...muchos gracias/Marvin & Chip...final crowd noise... 0:33.15


total: 59:16.69 + 65:02.15 = 124:18.84 minutes



notes:

$ - written by <Narciso Serradell Sevilla/Niceto de Zamacois/Francisco Mart�nez de la Rosa/Tish Hinojosa>
% - also known as "Laughing Runs The River"
# - repaired drop out @ 1:36.40
+ - applause partly muted and faded out/in (by soundengineer Bruno)

� - Intro to "Laughing River": Excerpt from "La Llorona" (the Weeping Woman),
a legend and part of Hispanic culture in the Southwest since the days of the
conquistadores, became later a well known traditional Mexican folksong:
http://www.legendsofamerica.com/gh-lallorona.html
http://literacynet.org/lp/hperspectives/llorona.html
http://en.wikipedia.org/wiki/La_Llorona


You can join this one also seamlessly, as there are no fades at the
end of 1-18. and the beginning of 2-01. Nothing was lost @ this cut.




musicians:

Leticia "Tish" Hinojosa - vocals, acoustic, electric & 12-string guitars
Marvin Denton Dykhuis * - acoustic & electric guitars, mandolin, charango, background vocals
Chip Dolan * - accordion, keyboards, piano

* - both are pretty good multilingual Autobahn drivers...as Tish confesses...





lineage:

recorded by miseryman, soundboard to DAT


the recording:

Soundboard > Analog Cable > Tascam DA-20 (16 bit, SP 48 kHz) > DAT (Denon R-180DT, Digital Reality, 90 meter tape)


the transfer:

DAT (master) > Tascam DA-20 II, digital S/P-DIF out > Oehlbach Hyper Profi Opto Set (optical fibre, TOS-Link) >
> Behringer SRC-2496 Ultramatch Pro
(Ultra-high-resolution 24-Bit/96 kHz A/D & D/A and Sample Rate Converter & Dropouts-/Jitter Remover) >
> 16 bit, SP 48 kHz converted to 16 bit, SP 44,1 kHz > > Oehlbach Hyper Profi Opto Set (optical fibre, TOS-Link) >
> Terratec Aureon 7.1 PCI - Dolby Digital Live Soundcard with C-Media CMI8768 Soundprocessor Chip, digital S/P-DIF in >
> Motherboard with AMD Multicore Processor, Serial ATA Interface > CD Wave (recording) >
> Harddisc Western Digital with Thermaltake HD Cooler (EVER had a HardDisc burnout ??) >
> lonetaper's secret box of miracles # > CD Wave (tracking) > Traders Little Helper (SB aligned/level 6) > FLAC > DIME


# Fully edited version of this show by MWM 2010

NO EQ'ing was used here, and none of those compressors, Sonic Maximizer
or other psychoacoustic processors - why ruin a true miseryman masterpiece ?

it sounds completely the way it was distinguishable that night in this venue.

Dad accentuated just all the applause and spoken passages inbetween the songs,
averagely +6,0 dB, reduced some of the instrumental plug ins and smoothed out
some harsh passages - just a touch - to help balance it overall a bit better,
for HIS ears...and as he's really old enough, i still trust him completely...

the only further addition to the RAW files was a short fade-in and, at the end,
a fade-out - in the audience applause, so truly NO MUSIC was harmed or lost.
finally there are two small & one big dropouts repaired - for your listening pleasure....





this upload here comes directly from the "Men With Microphones" archives.
if you want to know more about, check the old uploads...lotta stuff to read !


Leo once wrote:
VERY SPECIAL THANKS, from the bottom of my heart, to my longtime
friend & fellow DIMEr miseryman for opening his incredible archive.
Parts of the "Miseryman Collection" are also in the "BR-archives"
and the "MWM"-vaults, as we did not only trade with each other,
we also viewed and recorded a bunch of shows together, as friends,
music fans and concert promoters, usually with three (or more)
Tascams and Sony's in a row...

BIG BIG THANKS to everyone involved @ Pfleghofsaal.

DE FACTO THIS IS - miseryman Collection - # 075



And if there's some interest, maybe there is MORE TO COME...
it just depends on YOUR demeanor, and lotta useful comments ;-)




A true Texas Classic:

"With His Pistol In His Hand": A Border Ballad and Its Hero (Paperback)
- Am�rico Paredes (Author)

"To see why Gregorio became a folk hero, one only has to remember that in
practice there was one law for Anglo-Texans, another for Texas Mexicans.
The chase, capture, and imprisonment of Cortez are high drama....
This is an extraordinary book."

� Tennessee Folklore Society Bulletin

http://www.utexas.edu/utpress/books/parpis.html




Leticia ("Tish") Hinojosa (born December 6, 1955 San Antonio, Texas) is a folksinger recording
in both Spanish and English. Hinojosa was the youngest of 13 children. Hinojosa's parents were
Mexican immigrants. Hinojosa has charted twice on the Billboard country charts and has recorded
several albums, primarily for Rounder Records.


Since 1988, singer-songwriter Tish Hinojosa has been part of the vibrant Austin music scene. She
has drawn numerous critical accolades for her borderless approach to music, blending Mexican folk
and country music with a modern singer/songwriter sensibility and touches of pop. Born Leticia
Hinojosa in San Antonio in 1955, Hinojosa's parents were Mexican immigrants, and she soaked up
their music as well as the area's country sounds and the socially relevant rock & roll of the '60s.
She started playing guitar as a teenager, singing folk and pop songs in local clubs; she also sang
commercial jingles for a Spanish-language radio station, and recorded a few Latin pop songs for a
local label as well. In 1979, she moved to Taos, NM, and eventually landed a job singing backup
with Michael Martin Murphey. In 1983, she relocated to Nashville and tried to make it as a singer
and/or songwriter, but found that she didn't fit the mold of what record companies wanted, despite
recording a one-off single for Curb ("I'll Pull You Through"). In 1985, she moved back to Taos,
and two years later completed the self-released cassette Taos to Tennessee. In 1988, she moved
to Austin and hit the city's thriving roots music scene, where she knew her distinctiveness would
find a better reception.

Hinojosa quickly landed a deal with A&M, and in 1989 she issued her official debut album, Homeland,
which received highly complimentary reviews. Her next effort, Culture Swing, was released by the
respected roots label Rounder in 1992 to even greater acclaim; thanks to its free-thinking musical
cross-pollination, the National Association of Independent Record Distributors named it Folk Album
of the Year. Around the same time, Watermelon issued three archival recordings, including a live
album, a holiday album, and the first appearance of Taos to Tennessee on CD. Thanks to the attention
surrounding Culture Swing, Hinojosa landed a deal with Warner Bros., debuting for the label with
1994's Destiny's Gate. Although her time with Warner signaled a more polished approach (some
naysayers said sanitized), she also continued to record more specific projects for Rounder, starting
with 1995's Frontejas, an overview of Texas/Mexico border music that won massive respect in the
Latin music community. Dreaming from the Labyrinth followed on Warner in 1996, and that same year
she issued a bilingual children's album, Cada Ni�o (Every Child), on Rounder. Frustrated by Warner's
reluctance to put out more of her material, Hinojosa eventually secured her release from the label
and returned to Rounder. In the meantime, she continued her activism on behalf of Latino and women's
issues, even as her 20-year marriage broke apart. Finally, after a four-year absence from recording,
Hinojosa returned in 2000 with Sign of Truth. In 2001 Texas Music Group re-released the classic Taos
to Tennessee, and in 2003 the holiday album From Texas for a Christmas Night and a live best-of
record were both issued. In 2005 Hinojosa released Heart Wide Open, her first studio album in five
years, and the following year Retrospective, on Varese, came out.
Another new set, Our Little Planet, appeared in 2009.
- Steve Huey, All Music Guide


Infos Tish Hinojosa
Tish Hinojosa's music crosses borders - between cultures, languages and musical genres. Moving with
equal grace through folk, country, pop and latino styles, her music reflects contemporary America's
multicultural richness. Combining a vision that embraces all of these musical styles, with her
characteristic warmth and a pure, soulful voice, this enchanting Texan singer-songwriter has gained
a loving and loyal audience throughout America, Europe and beyond.

As the youngest of thirteen children born to Mexican immigrant parents in San Antonio, TX, Tish grew
up listening to the traditional Mexican songs on her parents� radio as well as to the pop and folk
stations of the 60's. Inspired by these diverse influences, she began playing and singing, first for
her family and then later in local clubs and coffee houses. In 1979, she left her hometown for the
mountains of New Mexico, where she discovered her love for pure and heartfelt country music. She
started performing with legendary country musicians Michael Martin Murphy and Bill and Bonnie Hearne,
which inspired her to begin writing her own songs, both in English and Spanish.

After a stint in Nashville, Tish - by now married and mother of two children - moved back to New Mexico
where she made her first independent release (Taos to Tennessee � 1987), before finally re-locating to
Austin, TX, where she was eagerly welcomed by the city's thriving music scene. In 1988, she was signed
by A & M Records and finally achieved a national debut release. Homeland (1989), found her weaving all
the threads of her artistic ethos into an intriguing tapestry that immediately put her on the
international musical map.

Since then, a continuous stream of recordings and numerous American and European tours have brought
Tish's music to the attention of an ever-growing audience. To date, she has released 15 albums, all
of which beautifully display her ability to distill her diverse musical influences and colourful life
experiences into a sound which is distinctively her own. Her releases explore a wide variety of styles:
from the perfect balance of country, folk and latino elements on the award-winning Culture Swing (1992)
or the collection of Mexican love ballads and border songs on all-Spanish Frontejas (1995), to the
delicate mysticism of Dreaming From The Labyrinth (1996) or the joyful optimism on her bilingual
children's record Cada Ni�o/Every Child (1996). Sign Of Truth, released in 2000, added yet another
facet to Tish's sound. Influenced by the divorce from her long-time partner and other transitions
occurring in her life, the songs on this album show her revealing a more personal, intimate, yet
independent side.

Tish has contributed her talent to numerous issues such as bilingual education, immigration and farm
workers' rights. She has also performed by invitation at the White House for Bill and Hillary Clinton.
She has gained the respect and admiration of many well-established musicians, not only her contemporaries,
but also some of those who were important early influences, including Linda Ronstadt, who later recorded
her own version of Tish's song "Donde voy". Amongst other artists that Tish has recorded and worked with
are Joan Baez, Kris Kristofferson, Dwight Yoakam, Nanci Griffith, Pete Seeger, Flaco Jimenez and Los Lobos.

Tish's latest CD, Our Little Planet, will be released on CRS Records in October 2008. Inspired by her rediscovered love for country music, the 12 self-penned songs on this collection feature a deeply
Americana mix of traditional bluegrass and Tish's trademark sound of contemporary folk and tex-mex.
The album is produced by Tish and her long-time accompanist, Marvin Dykhuis, who also co-wrote the
title song, as well as playing most of the instruments. It also features appearances by celebrated
pedal-steel player, Greg Leisz, duets with Texas country legends Rosie Flores and Dale Watson, as
well as with rising star, Carrie Rodriguez, all of which combine to add delightful new textures to
Our Little Planet's stripped-down country sound.

Presently, Tish is dividing her time between Austin, Texas and Hamburg, Germany, where she is remarried
and happily residing. A biographical DVD, spanning the 30 years of her musical career, is in the making.
She is also pursuing new forms of expression outside the realms of music, with the writing of a book
about her family and her life.




PLEASE support the artists, visit their concerts
(some are down in the comment section!)
and buy all their available CDs & merchandise...

http://www.mundotish.com/
http://www.myspace.com/TishHinojosa




*************************************************************************************
There are a lot of truly brilliant "miseryman" recordings on DIME:

Torrent #302681 NEAL CASAL & Band
Torrent #299932 RAY WYLIE HUBBARD wsg. Slaid Cleaves & Carrie Newcomer
Torrent #299034 CARRIE NEWCOMER
Torrent #298926 SLAID CLEAVES wsg. Carrie Newcomer
Torrent #298913 JABE BEYER wsg. TODD THIBAUD
Torrent #267705 RAY WYLIE HUBBARD & TERRY "Buffalo" WARE wsg. KATE McDONNELL
Torrent #267341 KATE McDONNELL (solo)
Torrent #251526 the BARBARA MANNING Explosion
Torrent #251464 CALEXICO wsg. Barbara Manning
etc.pp.

...sometimes the shit hits even the best fan:
Torrent #301281 the GOURDS - BUT: sadly a patchy "SO & SO" SOUNDBOARD tape


And please check also all our other uploads...BUT: BEWARE - LOTS OF TEXT TO READ !
*************************************************************************************






MY DAD USUALLY SAYS: A GOOD BREEDING SEEMS HARD TO FIND IN CYBERWORLD, NOWADAYS !

please be friendly & polite to me, and i'll be the same to you...twice-pledged !

BUT IF YOU'LL TAKE ME FOR A RIDE, I'LL COME TO YOUR HOME AND THE FUN IS OVER...DEFINITELY !
AND I'M ALWAYS ACCOMPANIED BY MY FRIENDS & BROTHERS - FRANCONIA'S TOUGHEST BIKERGANG
"DARK BECKSTEIN SKULLS" - A SUBDIVISION OF THE AWESOMELY "CROSSED BONES" FROM SOLINGEN.


Dime allows alternative versions, I don't own the music, so I can't stop you, but
the correct thing to do amongst tapers/editors is TO ASK FIRST...(C. by scdegraaf)

I SIMPLY CAN'T TAKE A JOKE - CONCERNING BAD MANNERS AND UNGRATEFULNESS ! pythonmonty.
====================================================================================


open recorded and carefully stored over the years by the one & only miseryman (all thanks go to him...),
mastered by Leo, transferred & finally uploaded by pythonmonty on Dime, May 23, 2010. This is "MWM 00176"


please consign this info-sheet with the shared music - thanks !

Images for all shows as well as full size images for this show.

Images for this show:

TishHinojosaAndBand1997-02-19PfleghofsaalLangenauGermany.jpg