Monday 07 April 2008 2008-04-07
AUD>WAV>CDR>FLAC via EAC
Set 1: 39:47
missing start of set
01. Start Again
02. One One Way to Mend a Broken Heart
03. Old Man (Neil Young)
04. Once In A While
06. Deeper Well
Set 2: 56:01
01. Motherless Child (Billie Holiday)
02. One More Dollar (Gilian Welch - David Rawlings)
03. Paint a Picture
04. Feels Like Heaven
06. Blues From Waiting
07. Get Your Days Work Done
09. One Voice
10. Raise a Parting Glass
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Three extraordinary voices, two founding singer-songwriters, one singular vision: The Wailin' Jennys continue to evolve into far more than the melodious sum of their individual talents five years after blowing in on a fresh acoustic breeze from Canada's mid-western heartland.
Spurred onward by a growing fan base that swoons at their intuitive harmonies and revels in their engaging stage presence and uplifting repertoire, the Jennys embarked on a giddy blur of activity following the release of their second album, Firecracker, in August, 2006. Numerous head-turning reviews ("quiet, warm, subtle, mellifluous, almost too good to be true," noted British daily The Independent) greeted a recording produced by David Travers-Smith (Jane Siberry, Harry Manx) and featuring a crew of ace musicians led by guitarist Kevin Breit (Norah Jones, k.d. lang). The trio wooed progressively larger audiences throughout North America while also making successful forays to Australia, the U.K. and continental Europe. And foremost among an unfolding series of life moments have been a second Juno Award nomination in Canada, the continuation of a much-cherished relationship with A Prairie Home Companion (Garrison Keillor's popular National Public Radio show) and a memorable date alongside Rosanne Cash at the prestigious Celtic Connections festival in Glasgow.
"One Voice," a live staple and highlight of the Jennys' Juno- winning debut album 40 Days, remains a metaphoric statement of intent that to this day underlines the group's original mandate: three individuals with unique gifts combining seamlessly into a single beatific entity. Soprano Ruth Moody (guitar, banjo, accordion, bodhran) and mezzo Nicky Mehta (guitar, harmonica, ukulele, percussion) are charter members who've anchored the Jennys since the first line-up formed in their Winnipeg hometown. The critical third voice, an alto who fills out the chordal range of the group's vibrant three-part harmonies, has been filled in turn by Cara Lu?t, Annabelle Chvostek and, now that the latter has returned to her own solo career, new recruit Heather Masse.
Launching what fans are fondly calling version 3.0 of the Jennys, Heather is a New York-based singer and stand-up bass player who finds the middle ground between contemporary bluegrass (through her work with roots supergroup The Wayfaring Strangers) and jazz vocals (which she studied at the New England Conservatory of Music). She gelled immediately with Ruth and Nicky during an impromptu audition in a bathroom backstage in Philadelphia. Singing raw versions of "Amazing Grace" and an old Hank Williams song, the three women quickly nailed the essence of the Jennys' exquisite sound while hinting at exciting new possibilities that will flower in the months of touring and studio sessions that lie ahead.
"Heather fits in astonishingly well with us," enthuses Nicky. "She's got a smoky, enveloping kind of style. People will go nuts when they hear her." Adds Ruth, who first learned of Heather from their mutual friend, Crooked Still's Aoife O'Donovan: "We found a perfect vocal blend the first time with Cara, then we captured it in a different way with Annabelle. So naturally we were thinking, 'Oh man, can it really happen again?' But we have stumbled on such a rich treasure. Her voice is just so round and warm."
Ruth Moody has long understood the power of three. She grew up in an accomplished musical family singing with two sisters, then spent five years fronting Winnipeg's Scuj MacDuhk. When the popular Celtic/roots road warriors broke up in 2001, she again craved what she calls "the sense of completeness and wholeness that can only come with three female voices. The Jennys provide a sense of continuity that threads through my entire life."
For her part, Nicky Mehta was on track for post-graduate studies in communications when she released a buzzworthy solo debut CD and, not long after, signed on as a first-generation Jenny. "The group sort of just happened to us," she says, laughing. "The idea was to present our individual visions in a larger collective, but before we knew it things had taken on a life of their own. We've constantly been playing catch up ever since. What's great is that nothing has been premeditated and we keep being surprised in the most creative, interesting ways."
"Now we've closed another chapter in the Jennys' story and opened a new one," says Ruth. "We're thrilled to be writing it with Heather. She's a kindred spirit. That we can find the magic while laughing and singing together in a dimly lit bathroom says it all really."
Soprano Ruth Moody, former lead singer of the Juno-nominated roots act Scruj MacDuhk, is well known for her pure voice and impressive multi-instrumentalism. A classically trained vocalist and pianist known first as an accom?lished, versatile singer of traditional and Celtic music, her own writing shines in its diversity and maturity. She is known equally for her moving and haunting ballads as her down-home, upbeat numbers and her first recording "Blue Muse" as well as her writing for the Jennys, reveals an exciting new talent.
Mezzo Nicky Mehta has been called a poet and songwriter of exceptional depth and maturity whose ability to "walk with sorrow" has made her music vital and hopeful; Mehta's songs reflect a wisdom sometimes hard-won but never uncelebrated. Her first album "Weather Vane" was nominated for a 2002 Canadian Music Award for Outstanding Roots Recording and she was recently been counted among the most promising up and coming singer-songwriters in North America by the venerable Sing Out! publication.
Alto Heather Masse grew up in rural Maine and began singing at an early age. Having taken a degree in Jazz Voice from the New England Conservatory of Music, Heather is steeped in the jazz tradition, which informs her distinct approach to singing music of all sorts. In addition to the Wailin? Jennys, she performs with the world-renowned contemporary bluegrass band "The Wayfaring Strangers," and has appeared at venues throughout the country including NPR's World Cafe, the Somerville Theater, and Boston's Symphony Hall, sharing the stage with the Boston Pops Orchestra. She recently recorded an eponymous album with the up- and-coming Boston-based group "Joy Kills Sorrow"?a modern string band that finds it home in the cracks between bluegrass, jazz, old-time, and pop styles?as well as a self-released EP Tell Me Tonight, a collection of original songs performed with her own Brooklyn-based outfit ?Heather and the Barbarians.?