This is a tagged version of shnid: 85912

Grateful Dead
02/20/1971
Capitol Theater
Port Chester, NY
gd71-02-20.sbd.cantor-crouch-dieber.85912.sbeok.flac16

Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) >
PCM501ES analog out > Dolby A decoder > Apogee filter >
analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 >
WBOTB Master DAT.

Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and
Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.

Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output >
Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at
96 KHz, AES digiout) > AES digital input, professional mode/sync -
LynxTwo soundcard in E6400 dual core processor-based PC > HD as
24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV >
CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and
mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio
XLR cables. All components in the transfer/mastering chain were powered
from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power
supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
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--Set 1--
101-d1t01 - tuning
102-d1t02 - Casey Jones
103-d1t03 - Me & My Uncle
104-d1t04 - Hard to Handle
105-d1t05 - Bertha
106-d1t06 - Playing in the Band
107-d1t07 - Bird Song
108-d1t08 - Big Boss Man
109-d1t09 - Cryptical Envelopment ->
110-d1t10- Drums ->
111-d1t11 - The Other One ->
112-d1t12 - Wharf Rat
113-d1t13 - Sugar Magnolia

--Set 2--
201-d2t01 - tuning
202-d2t02 - Truckin'
203-d2t03 - Loser
204-d2t04 - Next Time You See Me
205-d2t05 - Greatest Story Ever Told ->
206-d2t06 - Johnny B. Goode
207-d2t07 - Ripple
208-d2t08 - Not Fade Away ->
209-d2t09 - Goin' Down the Road Feeling Bad -> Jam ->
210-d2t10 - Not Fade Away ->
211-d2t11 - Turn on Your Lovelight
212-d2t12 - Pigpe Rap (Female companionship rap -> Jam -> Business rap -> Jam) ->
213-d2t12 - Lovelight
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Comments:
Reel flips and short segments of missing music (Casey Jones, Bird Song,
Lovelight) were crossfaded to stealthy seamlessness by sampling the
2-3 missing beat(s) from the same measure in a preceding/following
verse/chorus. All audio editing was done on 24 bit files.

FFT of waveform showed 2 distinct peaks resulting in an annoying whine.
First peak broadly centered around 8100 and a second at roughly 15700 Hz.
These were attenuated using the SuperNotch notch filter preset of Waves
Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior
to Ozone mastering and MBIT 16 bit rendering.
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Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 6-06-09
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