This is a tagged version of shnid: 90979
Grateful Dead
RFK Stadium
Washington, DC
June 10, 1973
Patched\Speed Corrected Soundboard
Set 1:
d1t01 - Morning Dew
d1t02 - Beat It On Down The Line
d1t03 - Ramble On Rose
d1t04 - Jack Straw
d1t05 - Wave That Flag
d1t06 - Looks Like Rain
d1t07 - Box Of Rain
d1t08 - They Love Each Other
d1t09 - The Race Is On
d1t10 - Row Jimmy
d1t11 - El Paso
d2t01 - Bird Song
d2t02 - Playing In The Band
Set 2:
d2t03 - Eyes Of The World ->
d2t04 - Stella Blue
d2t05 - Big River
d2t06 - Here Comes Sunshine
d3t01 - Around And Around
d3t02 - Dark Star ->
d3t03 - He's Gone ->
d3t04 - Wharf Rat ->
d3t05 - Truckin'
d3t06 - Sugar Magnolia
Set 3:
d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry
d4t02 - That's All Right, Mama
d4t03 - The Promised Land
d4t04 - Not Fade Away ->
d4t05 - Goin' Down The Road Feeling Bad ->
d4t06 - Drums ->
d4t07 - Not Fade Away
d4t08 - Johnny B. Goode
Special Graphics Collection for this show.
Original SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008
Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000
supplies: Eyes Of The World (6:54 - 6:56)
Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch
Patched using:
AUD1 (shnid = 90351)
Source:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
-- Taping, transferring, and remastering done by Monte Barry
Notes:
-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied
-- Playing in the Band --------- tape change dropout at 5:22,
Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35,
Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage,
1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage,
3:35 to 3:50, 5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD
patched until 5:01
This AUD recording epitomizes the very best of the Grateful Dead
"live sound" for the time. The Wall of Sound is nailed by the sound
crew and the Dead for this show. Set within an outdoor Stadium, this
close-up infield FOB spatially captures sound from the two Aux PA
towers on the infield, behind the taper. The sound delay from the
Wall of Sound to the Aux PA towers adds a touch of ear candy as it
rolls around the stadium. This was by far the best sound fidelity
experience I ever heard come out of a PA System, period. It was a
sensational orgy of sound. -- Monte
AUD2 (shnid = 89681)
Recording Info:
(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)
Transfer Info:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional
v10.02 -> FLAC (2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller and Neil Sturtevant
charliemiller87@earthlink.net
January 26, 2008
Notes:
-- Disc change is seamless
-- Recorded by Bill Gadsden
SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and Audition 3.0 was used to reassemble
the tracks back to 1 long wave. Audition 3.0 was used to align &
synch the SBD & AUD sources. Audition 3.0 used to adjust the volume
for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used
to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 22-MAR-2008
---------------------------------------------------------
Audio Patches:
1) At the beginning of soundboard, 23.658 seconds were missing from
the SBD source and was filled in with audio from the AUD1 source.
This includes the cymbal leadin to Morning Dew.
2) Also between Morning Dew and Beat It On Down The Line, 1 minute
and 26.758 seconds were missing from the SBD source and was filled
in with audio from the AUD1 source. This includes almost the 1st
minute of BIODTL.
3) At the beginning of set 2, 16.685 seconds were missing from the
SBD source and was filled in with audio from the AUD2 source.
4) 12 minutes into He's Gone, 48.325 seconds were missing from the
SBD source and was filled in with audio from the AUD1 source.
5) At the beginning of set 3, 47.419 seconds were missing from the
SBD source and was filled in with audio from the AUD1 source.
6) 1 minutes into Drums, 10.014 seconds were missing from the SBD
source and was filled in with audio from the AUD1 source.
7) 4 minutes into Drums, 17.652 seconds were missing from the SBD
source and was filled in with audio from the AUD1 source.
8) Concerning speed correction - I released my matrix of this show
where I had used the soundboard as the reference mainly because it
had 20 less times where the tape was stopped and then restarted. The
actual difference was approximately .5% which is fairly small all
things considered but still noticeable. A person who's opinion I
respect greatly sent me a PM stating:
"I haven't listened to your matrix, but I think CM's soundboard of
this runs 0.5-0.7% fast, so maybe the AUDs were actually correct."
After getting this, I re-listened to the sbd and had to agreed. So,
I went back and reversed all the times so basically synced this sbd
to the audience. Thanks to R.B. for his help in the matter. As most
time corrections are very subjective, I really appreciate any and
all help I get in these matters.
Brokedown House Production
**Busted, down on Bourbon Street...**