Release Date: 2012-10-07
Band: Grateful Dead
Date: 1974-06-23 (Sunday)
Venue: Jai-Alai Fronton
Location: Miami, FL
Upgraded SBD
Set 1:
d1t01 - Tuning
d1t02 - Ramble On Rose
d1t03 - Black Throated Wind
d1t04 - Equipment Issues
d1t05 - Mississippi Half-Step Uptown Toodeloo
d1t06 - Beat It On Down The Line
d1t07 - Row Jimmy
d1t08 - Jack Straw
d1t09 - Let It Rock
d1t10 - Cumberland Blues
d1t11 - El Paso
d2t01 - To Lay Me Down
d2t02 - Weather Report Suite Prelude >
d2t03 - Let It Grow >
d2t04 - China Doll
Set 2:
d2t05 - Seastones (From shnid=105755)
d2t06 - Jam >
d2t07 - Ship Of Fools
d2t08 - Big River
d2t09 - Black Peter
d3t01 - Around And Around
d3t02 - Dark Star Jam >
d3t03 - Spanish Jam >
d3t04 - U.S. Blues
d3t05 - Uncle John's Band >
d3t06 - One More Saturday Night
d3t07 - Tuning
~encore~
d3t08 - Casey Jones
SBD1
shnid 116312
Per Matt: these are from cd's I received back in 2000. the lineage states .
Mastered via the Apogee mini me>Mini Dac(monitoring/mastering)>FLAC
Taped By: ????
Transfer By: Matt Smith
Mastering By: Matt Smith
Notes:
- fixed many balance issues
- much less hiss on this transfer compared to all previous circulating copies
- 'row jimmy' and 'let it grow' patched from a Debbie Stash reel.
- Entire Seastones from Moore-Berger 105755
-The us blues is patched with the board cassette.
Per Matt: " The Us Blues is from the same Debbie stash reel that were used for the other flips. It is my belief 6/23/74 is from a board cassette that Mr. Boswell dubbed that was in Garcia's(and or, his girlfriends at the time) possesion."
SBD2
shnid = 16780 (used only to patch SBD1)
Source: MSR>DAT>CD, supplied by Andy Lemieux.
This source features an uncut Row Jimmy.
Subsequent EAC extraction, patching, and SHN encoding by Sean Cribbs 4/22/2003.
Sector boundaries verified/corrected using shntool.
AUD1
shnid = 105755
taped by Jerry Moore
Source: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b
Transfer: cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac
transferred & seeded by Rob Berger 1/30/10
notes: show promoted by Howard Stein
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- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
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Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.
2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.
3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.
4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.
8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.
12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.
13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.
16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.
18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.
19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.
24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.
25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.
27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.
28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.
Brokedown House Production