This is a tagged version of shnid: 86234

Grateful Dead
10/01/1977
Paramount Theatre
Portland, OR
gd73-10-01.sbd.crouch-deibert-GMB.86234.sbeok.flac16

Source:
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) >
PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES
analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace
Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT
for transfer.

Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital
output > Benchmark DAC1, XLR analog output > Grace Lunatec V3,
sample rate at 96 KHz, AES digiout) > AES digital input,
professional mode/sync - LynxTwo soundcard in E6400 dual core
processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 >
MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) >
FLAC (level 8). Recording, editing and mastering with Wavelab 5.0.
All cables were Mogami Gold 0.3m pro-audio XLR cables. All
components in the transfer/mastering chain were powered from a
Cyberpower 1285AVR noise-attenuated uninterruptible AC power
supply. Transferred and mastered by ChrisL.
Seeded by the Green Mountain Bros. at bt.etree.org, July 2007.
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--Set 1--
101-d1t01 - //The Promised Land//
102-d1t02 - //They Love Each Other
103-d1t03 - Mexicali Blues
104-d1t04 - Dire Wolf
105-d1t05 - Cassidy
106-d1t06 - Deal
107-d1t07 - Passenger
108-d1t08 - Tennessee Jed
109-d1t09 - New Minglewood Blues
110-d1t10 - Peggy-O
111-d1t11 - The Music Never Stopped

--Set 2--
201-d1t12 - tuning
202-d1t13 - Bertha ->
203-d1t14 - Good Lovin'
204-d2t01 - It Must Have Been The Roses
205-d2t02 - Esimated Prophet ->
206-d2t03 - Eyes of the World ->
207-d2t04 - Dancing in the Streets ->
208-d2t05 - Drums ->
209-d2t06 - Not Fade Away ->
210-d2t07 - Black Peter ->
211-d2t08 - Around & Around
no encore
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Comments:
- Most of "Promised Land" is missing with cuts at the beginning
and end. Also the mix fluctuates and is largely bass and
drums.
- First few minutes of "They Love Each Other" are absent.
- Popping/distortion on master DAT during first 1:20 or so of
"Estimated Prophet" attenuated with manual redrawing of
waveform. Some audible artifacts remain, though the end
result is an improvement. These are on the master DAT and
all previous circulating sources and are not related to
transfer. A few similar sounding pops were present at the
end of the track preceding it (IMHBTR) and on previous
circulating sources (though not commented on in the db) and
were also attenuated.
- Reel flip in Drums crossfaded.
- High pitched whine @ 15600 KHz (inaudible to probably >90%
of Jerry-experienced deadheads, but not their kids/grandkids)
was attenuated using Waves Q10 Supernotch on 24/96 fileset.
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B. Proctor 5-15-08
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