This is a tagged version of shnid: 28384

Grateful Dead
2-27-81
Uptown Theater
Chicago, IL

Sick Bits Vol. 2b

Source: Matrix:

SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) >
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)>
CD Architect > Master CDR (by Jim Wise) > CDR Master > EAC in secure mode >
Soundforge (minor editing and crossfading) > CDWAV > SHNv3
w/seek tables appended (by Jamie Lutch)

AUD Master: Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B
Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) >
Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal
Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon

[complete text files for each source appended at end]

Transfer/Editing:
All sources were snh files downloaded from LMA and converted to
WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2/26/05
_____________________________________________________________________________

--Set 1--
101-d1t01 - Crowd/tuning
102-d1t02 - Alabama Getaway >
103-d1t03 - The Promised Land
104-d1t04 - Friend of the Devil
105-d1t05 - Cassidy
106-d1t06 - Loser
107-d1t07 - C C Rider
108-d1t08 - It Must Have Been the Roses
109-d1t09 - New Minglewood Blues

--Set 2--
201-d2t01 - Crowd/tuning
202-d2t02 - Scarlet Begonias ->
203-d2t03 - Fire On The Mountain ->
204-d2t04 - Estimated Prophet ->
205-d2t05 - Eyes Of The World ->
206-d3t01 - Drums ->
207-d3t02 - Space ->
208-d3t03 - Not Fade Away ->
209-d3t04 - Wharf Rat ->
210-d3t05 - Sugar Magnolia

--Encore--
211-d3t06 - Don't Ease Me In

Total Times:
Disc 1 [58:01]
Disc 2 [48:14]
Disc 3 [54:02]
_____________________________________________________________________________

General Notes:

Given the multiple sources available on the Llama, I decided to put the
effort into editing a matrix of all three nights from this wonderful run
at the Uptown. The Glassberg AUDs are very nice and full, standing on
their own as excellent representative recordings. The SBD sources of all
three nights have the reputation of being some of the crispiest boards
out there, and after a simple test on the Ship O' from the 3rd night I was
motivated to dive into editing land. The result is a worthwile listen,
especially when you turn it up.

Timeline/Tracking Notes:

The only music that is missing is the encore from the SBD source.
The transition between the disc 2 and 3 can be put together seemlessly.

Editing Notes:

- Pitch
Both sources were pitched differently, the AUD being the sharpest,
and the SBD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
down about -.14 (14 cents) in the first set, and about -.03 (3 cents) in
the second set, to achieve pitch correction - 1.00 being 100 cents which
is a semitone. I did not reference A=440 as I did not desire to pitch
adjust the SBD. It is very close though to A=440.

- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).

- Sonic Quality/Matrix ratio
I did choose to employ a slight amount of limiting to the SBD (Waves L2)
to give it a slight amount of punch and presence. Conceptually, all
I was trying to do here is to add some dimension to the SBD, which is
pretty dry but very crisp, by using the ambience of the AUD. The result
is a lively but clear recording, hopefully close to how it sounded at
the show. If I had to guess the SBD/AUD ratio would be somewhere between
3:1 and 4:1, leaning more towards the 4:1 end of things.

- Edits
The following are places where the SBD and AUD had holes or
incomplete coverage in reference to the final matrix timeline.

SBD:
d1t01 (0:00:00 - 1:51:64) - missing (crowd)
d1t03>4 (4:30:20 - 0:07:49) - missing (mostly crowd)
d1t04 (8:51:64 - 10:00:16)- missing (crowd)
d1t05 (5:41:14 - 6:36:04) - missing (crowd)
d1t06 (8:31:42 - 08:39:06)- missing (crowd)
d1t07 (7:26:32 - 8:28:57) - missing (crowd)
d2t01 (0:00:00 - 2:22:15) - missing (crowd/tuning)
d2t05 (9:50:60 - 9:59:15) - missing (crowd)
d2t06 (2:08:07 - 2:17:60) - missing (tape flip)
d3t04>5(10:57:09 - 0:07:12) - missing (tape flip)
d3t05 (8:18:61 - 9:44:72) - missing (crowd)
d3t06 (0:00:00 - 3:27:72) - missing all

AUD:
d1t07 (0:00:00 - 0:18:35) missing
d2t05 (6:53:16 - 7:00:41) missing (tape flip)

Note that alot of the missing elements from the SBD source are just
crowd segments in between songs in the first set. The whole encore is
missing from the SBD, but other than that, all of the music is intact.

Thanks to Dick Latvala for transfering the SBD casette master to DAT,
Jim Wise for the noise reduction and conversion to CDR, and Jamie Lutch
for minor editing and shn conversion. Thanks to Barry Glassberg for
recording the AUD source, and John Steinthal for converting it to CDR,
Mark Cohen for supplying the discs, and Matt Vernon for the shn conversion.
Thanks to Jonathan Aizen for uploading both sources to the Llama.

Happy 24th Anniversary & Enjoy!!!
-Chappy
_____________________________________________________________________________

Tagging notes:
Show information is embedded within the headerof each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 2-16-10
____________________________________________________________________________


SBD source text file:

Grateful Dead
Uptown Theatre
Chicago, IL
February 27, 1981

Disc 1 52:09
-Set I-
1. Alabama Getaway 04:24
2. Promised Land 04:04
3. Friend of the Devil 08:44
4. Cassidy 05:41
5. Loser 08:32
6. C. C. Rider 07:26
7. Roses -> 05:58
8. Minglewood 07:20

Disc 2 57:53
-Set IIA-
1. Scarlet -> 12:17
2. Fire -> 12:23
3. Estimated -> 11:13
4. Eyes -> 09:51
5. Drums -> 12:09

Disc 3 36:40
-Set IIB-
1. Space -> 08:01
2. Not Fade Away -> 09:01
3. Wharf Rat -> 11:26
4. Sugar Magnolia 08:12

<Missing E: Dont Ease>


Source Info:
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick)

DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)>
CD Architect > Master CDR (by Jim Wise)

CDR Master > EAC in secure mode (see below) > Soundforge
(minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended
(by Jamie Lutch)


Known Flaws:
reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly
All other edits and crossfades were between songs with no music disturbed



AUD source text file:

Band Grateful Dead

Venue Uptown Theatre

Location Chicago, IL

Date 2/27/81 - Friday



Source: AUD
Master: Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B.

Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) >
Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal

Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon


Thanks to Mark Cohen for the disks!


Disk 1 [57:14]
Set One
01. Crowd/tuning
02. Alabama Getaway >
03. The Promised Land %
04. Friend Of The Devil %
05. Cassidy %
06. Loser //
07. //C C Rider %
08. It Must Have Been The Roses ;
09. New Minglewood Blues

Disk 2 [55:58]
Set Two
01. Crowd/tuning
02. Scarlet Begonias >
03. Fire On The Mountain >
04. Estimated Prophet >
05. Eyes Of The World >
06. Drums >

Disk 3 [46:07]
Set Two continued
01. Drums continued
02. Space >
03. Not Fade Away >
04. Wharf Rat >
05. Sugar Magnolia %
06. Encore Don't Ease Me In

notes -
- first notes of CC Rider missing from tape flip

- ~2:45 seconds from sbd supplies drums portion to cover tape flip