Grateful Dead
Alpine Valley Music Theatre
East Troy, WI
August 7, 1982

Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals

*Matrix*

-----------------------------------------------------------------
SBD (shnid=137625):

Recording Info:
SBD > Cassette Master > Dat (44.1k)

Transfer Info:
Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC
(2 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 19, 2017

Notes:
-- Two sets of masters were used to make this complete

[About 0:15 cut between Althea and Let It Grow, clipping the first several seconds of Let It Grow. 0:42 cut during the Playing jam. 2:07+ cut during Drums/Space. 0:06 cut at the beginning of One More Saturday Night.]

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AUD (shnid=83513):

[Updated text file]

Source:
nak300 > Sony D5M > Master Cass. > 1st Gen

Location:
FOB, 19th row center

Transfer:
Nak CR5A > Lunatec V3(analog out) > 722@24/96

Editing:
Adobe Audition 2.0 dither and resample 16Bit > Cdwav/tracking > flac16

Taper: Matt Field
Transfer and upload by Tony Suraci aka nak700

This is the 16 Bit version. 24 Bit is archived on DVDA.


Notes:
*These tapes were given to me in October 1982, while living in Boulder,
Co. I was told they were a first gen copy off the masters.
I have a feeling these mics are Nak 700's and the deck is probably a D5.
I do not remember the tapers name.
Since there are no other audience sources available, I decided to seed this version.

Special thanks to Jake Feinberg. Jake is solely responsible for getting me
to seed this show.

[Circulated 3/20/07]

[About 15 seconds missing between Althea and Let It Grow, patched with #156561. About 4:20+ missing during Drums/Space, mostly patched with #92183, including a 2-second dropout in Space.]

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Thank you to Charlie Miller for the SBD transfer,
to Matt Field, Rip Tompkins and Ohr Weinberg for recording the show,
and to Tony Suraci, Andrew F. and Ohr Weinberg for the AUD transfers.

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
August 7, 2023


Set I
-----
d1t01 - The Music Never Stopped >
d1t02 - Sugaree >
d1t03 - The Music Never Stopped
d1t04 - Me And My Uncle >
d1t05 - Big River
d1t06 - It Must Have Been The Roses
d1t07 - C.C. Rider
d1t08 - Ramble On Rose
d1t09 - Beat It On Down The Line >
d1t10 - On The Road Again
d1t11 - Althea
d1t12 - Let It Grow

Set II
-----
d2t01 - China Cat Sunflower >
d2t02 - I Know You Rider >
d2t03 - Women Are Smarter
d2t04 - Ship Of Fools
d3t01 - Playing In The Band >
d3t02 - Drums >
d3t03 - Space >
d3t04 - The Wheel >
d3t05 - Playing In The Band >
d3t06 - Morning Dew >
d3t07 - One More Saturday Night

Encore
------
d3t08 - U.S. Blues


Notes:

Some initial SBD mix fluctuations, with Jerry a little low for the first 3:28 of The Music Never Stopped.

Some clicks removed during Sugaree, On The Road Again, The Wheel, and Playing Reprise.

Both SBD and AUD sources had about 15 seconds missing between Althea and Let It Grow, with about 7 seconds of Let It Grow cut at the beginning. Rip Tompkins' recording patches this gap (#156561 transfer by Andrew F., 4/24/22).

A 42-second cut in the SBD source during the Playing jam is now patched (also missing on Dick's Picks 32). 6 seconds now patched at the beginning of One More Saturday Night.

Despite there being three audience sources available for the second set, there was still an unfilled gap within the 2:07+ SBD cut during Drums/Space because all AUD sources had overlapping cuts. This missing section's duration is unknown but seems to be brief, maybe less than a minute. Ohr Weinberg's recording (#92183, 6/9/08) patches most of the 4:20+ cut in Matt Field's tape, including another 2-second dropout later on in Space, and about a minute of the SBD cut when Field's source was missing that section. The remaining cut in the matrix was edited to sound fluid and consistent with the drum beats, when it shifts abruptly from a 12-second SBD-only section to Weinberg's tape.

Thundering Phil bass during parts of this show, especially during China Cat Sunflower.