Grateful Dead
Copps Coliseum
Hamilton, Ontario
March 22, 1990

Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals


*Matrix*


-----------------------------------------------------------------
SBD (shnid=139224):

Recording Info:
SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750)

Transfer Info:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >
Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
September 1, 2017

Notes:
-- Thanks to David Gans for the tape
-- John Cutler's live mix made in the mobile recording truck
-- I cleaned up dozens of static pops, some may still remain

-----------------------------------------------------------------
AUD (shnid=125881):

**16 bit/44.1khz**

Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz)
Config/Location: ORTF/FOB 19th row on a stand
Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji
Soundforge 4.5 > CDWave > MKWAct. No DAE

Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Ted Mattes
DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig
Final processing, level adjustment and seeding by: Lenny Stubbe


Notes:
- Last Roses 4/9/89 (67 shows)
- Final and last Hey Jude 3/1/69 (1,525 shows)
- Final and last Believe It 10/21/88 (89 shows)
- 12 beats to start BIODTL
- This is a NEW processing of the original SHN files of SHNID #7460. This is an upgrade due to the fact that the right channel was inverted on the original DAT recording and not previously caught. This new fileset includes the channel inversion, as well and some low level adjustment. No EQ was applied whatsoever. MD5's of the original SHN's verified. Thanks to Craig for catching the channel issue and suggesting we fix and reseed
- 48khz version exists

Seeded to etree on:

10/15/2013

The original fileset was certified as DANK even with an inverted channel. It's safe to say that it is even more DANK now: (resample only performed for this 44.1 version)

*Dankseed Certification received 2002-02-05*
and posted at http://groups.yahoo.com/group/dankseeds/files/gd1990-03-22
Listening test performed by *5* danksters

positive criteria met:
Tracking- OK
Seamless and complete- OK
Lineage listed- OK

negative criteria met:
DAE- NO
Resampled- NO
Diginoise- NO

-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Ted Mattes for recording the show,
and to Craig Hillwig and Lenny Stubbe for the AUD transfer.

Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
October 2, 2023


Set I
-----
d1t01 - Feel Like A Stranger
d1t02 - West L.A. Fadeaway
d1t03 - Easy To Love You
d1t04 - Beat It On Down The Line
d1t05 - It Must Have Been The Roses
d1t06 - The Last Time
d1t07 - Picasso Moon
d1t08 - Don't Ease Me In

Set II
-----
d2t01 - Scarlet Begonias >
d2t02 - Fire On The Mountain
d2t03 - Samson And Delilah
d2t04 - Believe It Or Not* >
d2t05 - Truckin' >
d2t06 - Drums >
d3t01 - Space >
d3t02 - The Other One >
d3t03 - Hey Jude** >
d3t04 - Dear Mr. Fantasy >
d3t05 - Hey Jude >
d3t06 - Sugar Magnolia

Encore
------
d3t07 - It's All Over Now, Baby Blue


*final performance - last "Believe It Or Not" 10-21-1988
**final performance - last complete "Hey Jude" 03-01-1969


Notes:

This new version of the matrix uses the Cutler truck mix instead of the Healy recording, and a greatly improved transfer of the audience source.

While the SBD mix had extra ambience from the ambient mic, the crowd levels were generally distant or low. The audience tape adds some nice crowd energy here and some extra resonance.

Many clicks and pops were removed. Some light static can be heard mostly between songs, during Space into Other One, and during the quiet parts in Hey Jude in the SBD source. Some of this static could be cleaned, but most remains.