This is a tagged version of shnid: 112302

Grateful Dead
September 8, 1990
Richfield Coliseum
Richfield, Ohio

Recorded, transferred, tracked & FLAC'd by Greg Holtz

Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5

Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC
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--Set 1--
101-d1t01 - Crowd
102-d1t02 - Hell in a Bucket
103-d1t03 - Sugaree
104-d1t04 - Minglewood Blues
105-d1t05 - Friend of the Devil
106-d1t06 - Queen Jane Approximately
107-d1t07 - Loser
108-d1t08 - Cassidy
109-d1t09 - Deal

--Set 2--
201-d2t01 - Crowd
202-d2t02 - Eyes of the World ->
203-d2t03 - Estimated Prophet ->
204-d2t04 - Terrapin Station ->
205-d2t05 - Jam ->
206-d2t06 - Drums ->
207-d3t01 - Space ->
208-d3t02 - All Along the Watchtower ->
209-d3t03 - Stella Blue ->
210-d3t04 - Throwing Stones ->
211-d3t05 - Not Fade Away
212-d3t06 - Crowd

--Encore--
213-d3t07 - Crowd
214-d3t08 - One More Saturday Night
215-d3t09 - Crowd
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Notes:
This Microphone was lent to me by a friend who got it from Healy to use for ONE SHOW.
It was beautiful, it had it's own padded wooden box, and it was switchable so you could
set it at 60 degrees, 90 degrees, and 110 degrees. I asked Dan before the show what he
used it for and what he set it at. He told me he usually would set it at 90 degrees,
but he also said he experimented with it .. so I set the switch at 90 degrees for set one,
and 110 degrees for set two. I found that this mic produced a crystal clear recording, with
very crisp high and middle frequency response. I found that on playback I had to boost the
bass tones quite a bit to get the sound I wanted. I WAS going to boost some of the low-end
on this, but I decided to leave it as-is, so NO processing was done on this source.
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B. Proctor 10/9/2014