This is a tagged version of shnid: 97443
Grateful Dead
Friday, September 14th, 1990
Madison Square Garden
New York, NY
cd1 - set 1
1) (crowd/tuning/intro)
2) Feel Like A Stranger
3) Sugaree
4) Minglewood Blues
5) Ramble On Rose
6) Black Throated Wind
7) Jack-A-Roe
8) Cassidy->
9) Don't Ease Me In
cd2 - set 2
1) Tuning
2) Scarlet Begonias->
3) Fire On The Mountain
4) Truckin'->
5) Terrapin Station->
6) Drums->
cd3
1) Space->
2) The Other One->
3) Wharf Rat->
4) Sugar Magnolia
5) (crowd/tuning)
6) e: U.S. Blues
-----------------------------------
This is a matrix, done by hansokolow in ProTools, of the following digital sources:
SBD: shnid=74405
Recording Info:
SBD -> Dat (44.1k)
Transfer Info:
Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP ->
Samplitude Professional v7.02 -> FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 8, 2006
Notes:
-- Seamless transition between Discs 2 and 3
-- A few spots of diginoise in 2nd Set patched with Cassette Master SBD
-----------------------------------
AUD: shnid=88942
Ambient Recording by Sean Weber & Rick Katseff
B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in
Tapers From Hell - A Journey to the Impact Zone
FOB near center (seat assignments not noted on tape card)
From the tdarian masters, but, recorded by, Sean Weber & Rick Katseff
tdarian was not yet in town for this opening night of the run, but had sent his mics ahead of time, (these mics were still a brand new release for B&K). tdarain joined forces with Sean and Rick for day two (09-15) The rest of the run, with the B&K's is credited to tdarian, John Corso, and Rick Katseff
"My primary crowd control weapon: Backstage passes to send the loud
mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side "
transfer and edit notes:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
+6dB digital gain added in the transfer from DAT to CDR master.
CDR master transfer by Mike French (TFH), in apprx. 2002
compiled for FLAC by Mike French, on 2007-11-28
-----------------------------------
hansokolow's notes: For a digital soundboard with several solid digital audience copies to choose from, this matrix presented a lot of problems. While I like the sound of Dave Brotman's FOB source over this one, I had trouble lining it up exactly with the DSBD (sometimes that happens), and the result was a constant, slowly changing atmospheric quality that was unacceptable. I switched to this DAUD and things lined up much better. This DAUD has level adjustments in the opener, Feel Like A Stranger, and I counter adjusted to try to account for that. This DSBD has some limitations. Although it comes with a decent amount of crowd noise, there is a bit of mutedness to it, which is greatly enhanced by adding the DAUD, imho. The analog SBD patches all over set 2 created brief phasing and weirdness and are fairly noticeable, but I left it that way, as it is less jarring as pulling out the SBD entirely. The first instance is at around 9 seconds into Fire On The Mountain, then again at 10:07, at 10:36, for 19 seconds (this is the worst of it), and at 11:16; in Terrapin at 9:24 for 6 seconds, at 9:58 for 4 seconds, briefly at 10:21 and 11:05, and finally at 11:23; in The Other One, at 6:16 for about 4 seconds; in Wharf Rat at 0:41, at 1:07, at 2:36, at 6:28, at 8:41, and at 10:27; and in Sugar Magnolia at 5:21. Also, hardly an issue, some crowd noise is missing from the DSBD between Fire and Playin'. Both these FOB sources had a gap of about the same size in Drums, from 1:32 to 3:47, so that section is all soundboard. The DAUD had some bad digital fuzz in the last few seconds of the encore, so I patched in Brotman's DFOB for that section, from 5:00 to 5:04.
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
A Mills 9/20/13