This is a tagged version of shnid: 099108
Grateful Dead
Madison Square Garden
New York, NY
September 8, 1991
SBD + AUD Matrix Mix - 3 Source Mix
(65%-SBD, 20%-AUD1, 15%-AUD2)
Set 1 - Disc 1
01 [01:41] Crowd & Tuning
02 [06:38] Touch of Grey
03 [05:32] Greatest Story
04 [08:48] Loser
05 [09:24] Minglewood Blues
06 [07:23] Candyman
07 [05:25] Big River >
08 [09:25] Maggie's Farm
09 [09:27] Row Jimmy
10 [14:14] Let it Grow
TT [78:03]
Set 2 - Disc 2
01 [01:05] Crowd & Tuning
02 [07:59] Samson & Delilah
03 [14:22] Eyes of the World >
04 [07:17] Saint of Circumstance >
05 [09:02] Dark Star Jam >
06 [12:02] Drums >
TT [51:51]
Set 2 - Disc 3
01 [07:08] Space >
02 [09:38] The Other One >
03 [10:09] Wharf Rat >
04 [08:50] Good Lovin'
Encore:
05 [05:35] Attics of My Life
TT [41:24]
Full Show
TT [2hrs:51min:14.575sec]
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Source Info
SBD (shnID = 75772)
DSBD > DAT > CDA
Cleaned up copy of shnID=1069 by Darryl Hinko
I cut out some repeat material between d2t06 Drums and d3t01 Space,
the discs are now seamless. (Also: Removal of many, many pops.)
shnID=1069 Seeded by jashley@deadacated.com
AUD1 (shnID = 96398)
FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com
Lineage: Master DAT
Recording Equipment: B&K 4011 110� ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Recording Location: FOB
Set 1 Hand Held, Row R, Off Center
Set 2 On Stand, Row R, On Aisle
Recorded By: James Young and Clay Brennecke
Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) >
LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0
by Todd Evans (todd@bluedakota.com) November 9, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com)
Weiss Saracon for 16 BIT � 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
AUD2 (shnID = 98392)
Sennheiser ME-80's > Technics SV-MD1 from OTS
DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9
(Fades, Sample Rate Conversion)>CDWAV>FLAC
Recorded & Transferred By Keith Litzenberger
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Special Thanks
Many thanks to James Young and Clay Brennecke for their wonderful
recording. Also thanks to Keith Litzenberger for his excellent
recoding as well. Thanks to Jay Ashley and Darryl Hinko for their
transfer and mastering/editing on the SBD source. And thanks to
both Jamie Waddell and Todd Evens for their pristine transfers and
excellent editing/mastering on the FOB.
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Notes on the Source Material
SBD (shnID = 75772)
This is another strange 1991 SBD. Let me explain. Quite a few
digital SBD's for the 1991 year are in circulation. I am sure
some of you have noticed a sorta strange sound quality to them.
What makes them sound they way they do is unknown to me. I'd
call them too digital. They tip-toe along the edge of blurry.
If I had to guess I would think a portable DAT deck was being fed
an analog signal into the line in. And although the levels were
set appropriately the deck was overloaded by 'too hot' a feed
from the SBD.
AUD1 (shnID = 96398)
Nice and well balanced FOB. This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit. While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.
AUD2 (shnID = 98392)
Another great sounding AUD. I love it when multiple source can be
used to make a 5.1 and a stereo matrix. This doubles the options
for the multichannel mixdown and also allows for more flexibility
in the 5.1. Not just the standard SBD front and AUD in the rear.
This also allows me to do high rez mixdown for each of the 6
channels as well as a high rez stereo mixdown of all 3 sources.
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Tech Notes
FLACs decoded and Wavemerge was used to reassemble the entire
show back to 1 long wave. CEP2.0 was used to align & synch all
of the sources. CEP2.0 was used for the multitrack mixdown.
This is a 65%-SBD, 20%-AUD1, 15%-AUD2 mix.
- Mixed by dan@am-dig.com
- ISO created 05-MAY-2009
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.
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Multitrack Mixdown Stereo
Front
75772_SBD -3db
96398_AUD1 -7db
98392_AUD2 -9db
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Notes
d2t11 Gradual volume raised on Attics to +3db
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Lineup
Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)
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Additional Formats
This show is available in the following formats:
1. The SBD both AUD sources listed above at 16/44
2. CD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 16/44
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
4. DVD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
C. Rogers 7-8-2013
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