This is a tagged version of shnid: 110642

Grateful Dead
Friday, September 13th, 1991
Madison Square Garden
New York, NY

- set 1
1) (crowd/tuning)
2) Touch Of Grey->
3) Wang Dang Doodle
4) Peggy-O
5) Big River->
6) Cumberland Blues
7) Althea
8) When I Paint My Masterpiece
9) Bird Song

- set 1
1) (crowd/tuning)
2) Victim Or The Crime->
3) Scarlet Begonias->
4) Fire On The Mountain->
5) Drums->
6) Space->
7) The Other One->
8) Stella Blue->
9) Throwing Stones->
10) Not Fade Away
11) (crowd/tuning)
12) e: Knockin' On Heaven's Door

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This is a matrix, done by hansokolow in ProTools, of the following digital sources:

SBD: shnid=31244

Source: DSBD > DAT > CD > EAC > FLAC

EAC/FLAC by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
FLAC frontend for encoding to FLAC

-----------------------------------

DAUD: shnid=97387

FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault
clayb@sc.rr.com

Lineage: Master DAT

Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro

Recording Location: FOB
Hand Held, Upfront

Recorded By: James Young and Clay Brennecke

Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008

Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.

Art: Gyro

A **GEMS** Production www.shnflac.net

-----------------------------------

hansokolow's notes:
Big thanks to Darryl Hinko for the DSBD. Big thanks to the GEMS Production crew and everyone involved with creating and spreading these gorgeous FOBs!

mix notes:
In set 1 there are 28 seconds of crowd/tuning on the DSBD before the DAUD kicks in.

Up through the first 10 seconds of Touch of Grey the DSBD is pretty hot, volume-wise, then it pulls back. I adjusted to lessen that effect.

The vocals on Big River really conflicted with each other on these sources. It's the kind of interference that happens when you try to line up the same source. A little bit of careful listening revealed that there's a patch from a DSBD on the DAUD, from 0:17 to about 3:16 in Big River, more than half the song. I cut the patch out, so that section is DSBD-only.

At the top of set 2 there are 23 seconds or so of DAUD-only crowd noise before the DSBD kicks in.

-Tano (hansokolow@gmail.com)
completed:

Tagging notes:
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A Mills 8/20/13