Grateful Dead
October 31, 1991
Oakland-Alameda County Coliseum
Oakland, CA

http://db.etree.org/shn/102252

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A GEMS 16-Bit Matrix

SBD is ShnID 32241
Aud is ShnID 102211

SBD+AUD Matrix Mix (60% SBD & 40% AUD)

Multitrack Mixdown
SBD -3db
Aud -8db

Matrix by Amdig
- First 01 min 20 sec is SBD only and then crossfades to matrix before the first song.
- SBD Help thru Rooster was EQ'ed to bring in a bit more dynamic range
- SBD Loser thru Let It Grow Waves L3 compression was used to match the compression on the first part of the set.
- Both SBD and AUD were missing some crowd cheer btwn last song and encore, this was crossfaded

Mastering By **__** on GEMS Edit Station
Weiss Saracon for 16 BIT � 44.1kHz SRC and POWR-3 Dither
BlueDakota for Transfers and Meta-Data Tagging
Gyro for Art

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A **GEMS** Production http://www.shnflac.net

Set 1:
d1t01 | 2:27 | Tuning
d1t02 | 3:14 | Help On The Way
d1t03 | 6:33 | Slipknot!
d1t04 | 9:08 | Franklin's Tower
d1t05 | 7:50 | Little Red Rooster
d1t06 | 1:10 | Crowd
d1t07 | 7:16 | Loser
d1t08 | 1:34 | Crowd
d1t09 | 5:38 | Just Like Tom Thumb's Blues
d1t10 | 14:29 | Let It Grow

Set 2:
d2t01 | 1:28 | Crowd and Tuning
d2t02 | 9:02 | Scarlet Begonias >
d2t03 | 11:10 | Fire On The Mountain
d2t04 | 1:04 | Crowd
d2t05 | 7:18 | Truckin'>
d2t06 | 6:38 | Spoonful*>
d2t07 | 6:52 | Dark Star*
d2t08 | 4:03 | Ken Kesey Rap
d2t09 | 13:50 | Drums
d3t01 | 14:02 | Space
d3t02 | 3:29 | Dark Star Reprise*
d3t03 | 5:49 | The Last Time*
d3t04 | 8:24 | Standing On The Moon
d3t05 | 9:47 | Throwin' Stones
d3t06 | 8:46 | Not Fade Away

Encore
d3t07 | 6:08 | Werewolves Of London*

* with Gary Duncan, guitar
** with Ken Kesey rap



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Source Info: AUD ShnId = 102211

FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault
claybrennecke@gmail.com

Lineage: Master DAT

Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255

Recording Location: FOB - Hand Held Both Sets

Recorded by Marcus Buick and James Young (Clay did not attend these shows)

Transfer: 16 bit � 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans (todd@bluedakota.com) September 2, 2009

Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT � 44.1kHz SRC and POWR-3 Dither
Encoded FLAC Level 8 with Traders Little Helper SBE Free

Todd Evans - Tag & Rename for FLAC Meta-Data Tagging.

Art: Gyro


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Source Info: SBD ShnId = 32241
Grateful Dead
10/31/91 (Thu)
Oakland Coliseum
Oakland, CA

Source: DSBD > DAT > CD > EAC > FLAC

EAC/FLAC by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
FLAC frontend for encoding to FLAC

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The James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

If you have questions or comments, Clay would love to hear from you - claybrennecke@gmail.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - shnflac@gmail.com - todd@bluedakota.com

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All files have been meta-data tagged appropriately.

Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 (or any other lossy format) and circulate.

If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file or ID tag manipulation. This will insure that the FLAC fingerprints, ST5 and MD5 hashes verify, keeping the integrity of the torrent intact.

The ffp was generated to verify and maintain the integrity of the music.
The ST5 was generated to verify and maintain the integrity of the meta data.
The MD5 was generated to verify and maintain the integrity of all the files included with the torrent folder.

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A **GEMS** Production http://www.shnflac.net

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