Jerry Garcia On Broadway
 
 acoustic & electric
 
Lunt-Fontanne Theater, NYC
 
10/17/87b (evening)
 
 
source: SBD cassette master
 
	taped by Rob Berger
 
 
lineage: sbd cassette master>dat>dat>cdr>adobe audition 2.0>cd wave>flac
 
 
sbd(mono) via left repeater speaker cable>Sony D5 (Maxell XL-IIS90's w/dolby b),
 
cassette master played back on same D5 w/dolby>dat (sony TCD-D10) in spring '88,
 
dat>dat fresh transfer (sony D8>sony pcm300) made in 1997,
 
dat>cdr (standalone) in 1999,
 
cdr>adobe audition 2.0>cd wave>flac done 3/07
 
transfers done by Rob Berger
 
 
disc 1 
 
Jerry Garcia Acoustic Band
 
 
01 Bright Morning Stars
 
02 Blue Yodel No. 9 (Standing On The Corner) *
 
03 Ballad Of Casey Jones
 
04 Short Life Of Trouble
 
05 Two Soldiers
 
06 I'm Troubled
 
07 Oh Babe, It Ain't No Lie
 
08 Rosalie McFall
 
09 Drifting Too Far From The Shore
 
10 Goodnight Irene
 
11 Ragged But Right
 
 
disc 2
 
Jerry Garcia Band
 
 
01 How Sweet It Is (To Be Loved By You) +
 
02 Forever Young
 
03 Stop That Train
 
04 Think
 
05 Mission In The Rain
 
06 And It / Stoned Me ^
 
07 My Sisters And Brothers >
 
08 Deal
 
encore:
 
09 Run For The Roses
 
 
notes:
 
 
* drop out on master - as I remember this was due to the two alligator clips on 
 
  the ends of my patch cord making contact each other. Electrical tape was       
 
  administered and the tape rolled on. Very little missing.
 
 
+ abrupt level adjustment at start
 
 
^ harsh cut towards the end - although I knew I needed to flip the tape I had to
 
  chat with a security person. He found it interesting that I was spending the
 
  entire evening in the downstairs lobby sitting on the floor by the ladies room.
 
  I told him I loved the way it sounded by the set of speakers set up down there.
 
  Satisfied, he turned and I flipped the tape. A couple of minutes are missing.
 
 
 
 
more story:
 
   After making hideous auds of the first two nights I came up with the idea
 
   of somehow splicing into the speakers set up in the downstairs lobby/rest room
 
   area of the theater. It was essential that the speaker still get a signal or
 
   it would draw attention that it'd been messed with. I made up a set of patch
 
   cords with alligator clips soldered on the ends and sneeked in the trusty D5 and
 
   a pair of sewing scissors. After cutting into the speaker wire I clamped
 
   on the alligator clips and away we went. The speaker played fine and the deck was 
 
   getting a perfect signal. 
 
   After 10/17 I tried again at the 10/21 evening show. Another taper patched 
 
   out of me with a D6 at this one. This taper had gotten away with a "stealth board"
 
   that afternoon at the matinee and he hooked me up with a cm>c 1st gen. I remember
 
   we had to bail that night towards the end of the acoustic set, but I think I have 
 
   40 min's or so on dat somewhere. 
 
   Although this method of taping produced a few gems, I must add the disclaimer that
 
   I would not recomend messing with any band's equipment. Ever. Anywhere. That
 
   having been said I hope you enjoy the tape. Rob
 
    
 
 
 
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