Jerry Garcia On Broadway
acoustic & electric
Lunt-Fontanne Theater, NYC
10/17/87b (evening)
source: SBD cassette master
taped by Rob Berger
lineage: sbd cassette master>dat>dat>cdr>adobe audition 2.0>cd wave>flac
sbd(mono) via left repeater speaker cable>Sony D5 (Maxell XL-IIS90's w/dolby b),
cassette master played back on same D5 w/dolby>dat (sony TCD-D10) in spring '88,
dat>dat fresh transfer (sony D8>sony pcm300) made in 1997,
dat>cdr (standalone) in 1999,
cdr>adobe audition 2.0>cd wave>flac done 3/07
transfers done by Rob Berger
disc 1
Jerry Garcia Acoustic Band
01 Bright Morning Stars
02 Blue Yodel No. 9 (Standing On The Corner) *
03 Ballad Of Casey Jones
04 Short Life Of Trouble
05 Two Soldiers
06 I'm Troubled
07 Oh Babe, It Ain't No Lie
08 Rosalie McFall
09 Drifting Too Far From The Shore
10 Goodnight Irene
11 Ragged But Right
disc 2
Jerry Garcia Band
01 How Sweet It Is (To Be Loved By You) +
02 Forever Young
03 Stop That Train
04 Think
05 Mission In The Rain
06 And It / Stoned Me ^
07 My Sisters And Brothers >
08 Deal
encore:
09 Run For The Roses
notes:
* drop out on master - as I remember this was due to the two alligator clips on
the ends of my patch cord making contact each other. Electrical tape was
administered and the tape rolled on. Very little missing.
+ abrupt level adjustment at start
^ harsh cut towards the end - although I knew I needed to flip the tape I had to
chat with a security person. He found it interesting that I was spending the
entire evening in the downstairs lobby sitting on the floor by the ladies room.
I told him I loved the way it sounded by the set of speakers set up down there.
Satisfied, he turned and I flipped the tape. A couple of minutes are missing.
more story:
After making hideous auds of the first two nights I came up with the idea
of somehow splicing into the speakers set up in the downstairs lobby/rest room
area of the theater. It was essential that the speaker still get a signal or
it would draw attention that it'd been messed with. I made up a set of patch
cords with alligator clips soldered on the ends and sneeked in the trusty D5 and
a pair of sewing scissors. After cutting into the speaker wire I clamped
on the alligator clips and away we went. The speaker played fine and the deck was
getting a perfect signal.
After 10/17 I tried again at the 10/21 evening show. Another taper patched
out of me with a D6 at this one. This taper had gotten away with a "stealth board"
that afternoon at the matinee and he hooked me up with a cm>c 1st gen. I remember
we had to bail that night towards the end of the acoustic set, but I think I have
40 min's or so on dat somewhere.
Although this method of taping produced a few gems, I must add the disclaimer that
I would not recomend messing with any band's equipment. Ever. Anywhere. That
having been said I hope you enjoy the tape. Rob
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