Phish, see scans of cassette covers below.
Toad's Place
New Haven, CT
5/6/90

Taper: John Redmond
SOURCE SBD > D5

SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) >
mastering (see notes) > SHNv3

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003
Mastering, editing and WAV > SHN were performed on REBA by
Arty- imthemarmar@stny.rr.com (10/12-21/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

**CD Tracking**
-Disc 1-Set 1:
01) Possum
02) Bouncing Around the Room
03) Uncle Pen
04) Reba
05) Tweezer
06) Mike's Song >
07) I am Hydrogen >
08) Weekapaug Groove

-Disc 2-Set 2:
01) Fee
02) Harry Hood
03) Esther
04) David Bowie
05) Terrapin
06) Jaegermeister
07) You Enjoy Myself

**Mastering**
24bit/48kHz FLAC's > Wavelab 4.01b on REBA -
Waves were opened as a Montage in Wavelab. Some volume
adjustments were made to even out the show's volume. The sets
were also reconstructed at this stage and all tape flips were
crossfaded. The 24/48 files were then rendered to: 24/48 Wave >
10 Band EQ (high-pass set at 25Hz @ 24db/octave slope) > BBE
Sonic Maximizer (6 contour/7 Process @ -20db) > Waves L2
(set to limit @ -0.3db) > Rendered @ 24/48 > Editing > Apogee UV22
HR 24>16bit (Normal, Autoblack) > Steinberg 192kHz Resampler > Tracking
in Wavelab > SHNv3 appended

**Notes**
At the start of the show you hear Fish say "what the hell is that
comming from my monitor!?!?"....then it starts....the static. There is
noise from the board all night whenever it has little/no signal going
through it. It almost sounds like FM/TV interference with the monitors/PA.
Where possible, I applied some slight phase cancellation over the noise
to try and lessen it as much as possible without destroying the *wanted*
material. While it is present throughout the show, hopefully I did enough
to make it as transparent to the ear as possible. There was no "noise reduction"
applied to the show. I figured this master was bright enough that a lil
original hiss wouldn't hurt. Using the BBE unit on this with such settings
may seem a little "much", but when used in this method it acts as a Phase
Correcting Limiter you could say....it really enhances the lower levels yet
keeping the overall volume in check by keeping the output real low. The gain
reduction was made up with the L2 UltraMaximizer bringing the RMS volume back
up to the original levels.

Notes NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends).

Widespread Panic opened.

There is a static noise in the Master Cassette. I verified the noise is
in the cassette and is not caused by the transfer.

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