Phish
Somerville Theater
Somerville, MA
9/20/90
TAPER: John Redmond
SOURCE Nak 300s > D5
patch source: Sony ECM-MS5s
AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3
Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves.
The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).
transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/7/2003
All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03.
DISC ONE
Set One:
01. tuning/crowd
02. The Landlady
03. AC/DC Bag
04. Bouncin'
05. The Asse Festival
06. Squirming Coil
07. My Sweet One
08. Divided Sky
09. Magilla
10. Oh // Kee Pah >
11. Suzy Greenberg
12. Possum
DISC TWO
Set Two:
01. Funky Bitch
02. Stash
03. Uncle Penn
04. Tube
05. Lawn Boy //
06. Tweezer >
07. Buried Alive >
08. Tweezer Reprise >
09. McGrupp
10. HYHU > Love You > HYHU
11. Run Like An Antelope
Encore:
12. Lizards
Notes
The first Tweezer Reprise?
The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90.
NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends).
Seeded to FurthurNet (www.furthurnet.org) by shakedown
Images for all shows as well as full size images for this show.
Images for this show:
