Phish, see cassette cover and ticket scans at bottom of this page.
Somerville Theater
Somerville, MA
9/21/90

TAPER: John Redmond

SOURCE Nak 300s > D5

AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes) > SNHv3

Mastering Notes:
This a near flawless AUD, great sound, great performance.
The tapeflips were smoothed with crossfades (try and find the one
in the YEM vocal jam!), there was also a small drop out fixed during
the YEM vocal jam. There was a level change in Highway to Hell which
I fixed with vector-based volume control. Tape was stopped between
the last tune and encore, I smoothed this out with a long crossfade.

The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio
Montage, all edits were performed at the 24/48 stage.

The following mastering processes were used: Waves REQ 2-band, rolloff
at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2.

The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were
tracked in CD-WAV and converted to SHNv3 (seektables appended).

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03.


DISC ONE
Set I:
01. tuning / stage banter
02. Reba
03. Paul & Silas
04. Asse Festival
05. Dinner and a Movie
06. Foam
07. Esther
08. Landlady
09. Mikes//Song > 10. I Am Hydrogen
11. Weekapaug Groove
12. Eliza
13. La Grange

DISC TWO
Set II:
01. Golgi Apparatus
02. Magilla
03. Stash
04. Col. Forbin > Fly Famous Mockingbird
05. You Enjoy // Myself
06. Highway to Hell
encore:
07. Whipping Post

Notes

// indicates cassette flips

The taper ran two D5s from two different mic sources for this night
and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For
9/21/90, the sources were labeled on the tapes and tape cover as to
which mics were used.

WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit
FLAC (except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)