Phish
Somerville Theater
Somerville, MA
5/4/91

TAPER: John Redmond
SOURCE Nak 300s > D5

AUD MCass (Maxell MX 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3.

Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (01/09/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

Mastering info:
24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (patch/edits/crossfades) > Waves C4 > BBE > Waves L2 > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended

DISC ONE
set I:
01. //Oh Kee Pa Ceremony >
02. Suzy Greenberg
03. Cavern
04. Reba
05. My Sweet One
06. Split Open and Melt
07. Guelah Papyrus
08. /Fluffhead
09. Mike's Song >
10. I Am Hydrogen >
11. Weekapaug Groove

DISC TWO
set II:
01. Dog Log
02. Llama
03. Colonel Forbin's Ascent > Famous Mockingbird
04. Buried Alive
05. Harry Hood
06. Horn
07. Rocky Top
08. //Possum
encore:
09. Stage Banter, Thanks & Dedications
10. Terrapin
11. Runaway Jim
second encore:
12. Golgi Apparatus

Notes
Things seem a little distorted/over-modulated in the bottom end, it's worst in the first few songs. The second set sounds much nicer.

There is a level adjustment in Split Open & Melt which I covered with a volume curve.

A short crossfade covers a dropout in Fluffhead.

Terrapin is NOT dedicated to Cam Neely, but instead is dedicated to Marnie.


NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)