Phish
First Avenue
Minneapolis, MN
1992-04-29

Source: Set one: audience, Audix cardioids > TC-D5M (mic pre-amp,
pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C)
Set two: SBD > Harmon Kardon cassette deck (two-head, pass-thru) >
WM-D6C (pass-thru) > Cass/0 (WM-D6C, TDK SA-X, Dolby C)

Transfer: Original master cassettes (Cass/0) played back in JVC TD-V541
(dual capstan, 3 head, Dolby C decoding) > Tascam DA-20
(pass-thru), SPDIF/optical converter >
Creative Nomad Jukebox 3 > Firewire > CDWAV > FLAC

Taped and transferred (9/2008) by Pat Volkerding

Set One:
1. Suzie Greenburg
2. Foam
3. Sparkle
4. It's Ice
5. Runaway Jim
6. Guelah Papyrus
7. Rift
8. Bouncing Around the Room
9. Take the A-Train
10. Secret Language
11. David Bowie


Set Two:
1. The Landlady >
2. Possum
3. Mound->
4. Oh Kee Pa Ceremony
5. Llama
6. Lizards->
7. Mike's Song->
8. I Am Hydrogen->
9. Weekapaug Groove
10. Love You (Page/Mike play "Cold as Ice" as Trey and Jon trade places
before and after "Love You")
11. Golgi Apparatus

Encores:
12. Horn
13. Rocky Top


FLAC fingerprints:
ph1992-04-29d1t01.flac:58b5de3c5091f9156e9068e61dd98cfb
ph1992-04-29d1t02.flac:05fd98e8534ce718468852aaf28699d3
ph1992-04-29d1t03.flac:47db0984b9b6ff2a4e5e2b2d78619e0e
ph1992-04-29d1t04.flac:5a1cb68b3dddfe639d6386fc0e72ea0d
ph1992-04-29d1t05.flac:c606f14c7c81e9f3f16db037ec112bf0
ph1992-04-29d1t06.flac:c88ebc1415b48152b0804c4ed300b75d
ph1992-04-29d1t07.flac:1955f7587afcf36833c00a2cb9c59799
ph1992-04-29d1t08.flac:f24931136629b715a177eca9016ba185
ph1992-04-29d1t09.flac:2dd8ca9f130fa7b7dcab2cf996e036e7
ph1992-04-29d1t10.flac:e5a17d74a97927d7ebbb674d7174f3af
ph1992-04-29d1t11.flac:c33602f61963dde636b4de2a12702772
ph1992-04-29d2t01.flac:638d96fc4a466ce916cfc7c3926700b8
ph1992-04-29d2t02.flac:494d34f09c60463d8c2b726981baeb2d
ph1992-04-29d2t03.flac:037bc1b595e960ba985b7f6c2fd23570
ph1992-04-29d2t04.flac:52b76c167b241df7078a2a64255e33fc
ph1992-04-29d2t05.flac:61586433d3cbb40ce70ae57428199834
ph1992-04-29d2t06.flac:fa8d9133beaf90ab977493d3b2097fba
ph1992-04-29d2t07.flac:68b4022a44c9a413b88595fb03c43ed4
ph1992-04-29d2t08.flac:c20ab630cd7862f011f1477735da49d9
ph1992-04-29d2t09.flac:1bed84d83e33f597ac70f2185453cfc0
ph1992-04-29d2t10.flac:78cdb929f129da7cc79ca7581ab634bc
ph1992-04-29d2t11.flac:7140ada17ea7975019b4f2681336338e
ph1992-04-29d2t12.flac:397731db5af2c85ffd566a9a30142e3b
ph1992-04-29d2t13.flac:b86ab765ef6ac16b26e1d5f1d8b580a3

MD5:
37c60b5b582ceb30286137df98b3a5c2 *ph1992-04-29d1t01.flac
72e42c055afa88927a05e85a3ae00c5e *ph1992-04-29d1t02.flac
4e46d9b9dffa3620f93152bce342686d *ph1992-04-29d1t03.flac
00cac234276b043e13bc258fc209accc *ph1992-04-29d1t04.flac
9afd751e8f30a00faecb1b3fcaa45902 *ph1992-04-29d1t05.flac
5a9b2126ca32a6daa543c41d6f8e8565 *ph1992-04-29d1t06.flac
0863840692c7d5fffa0d97b3de2791e1 *ph1992-04-29d1t07.flac
15afa04c34b40640370819a63ae1c45b *ph1992-04-29d1t08.flac
a7babd26f1898ab9e0404f705aa89232 *ph1992-04-29d1t09.flac
1b9aa484bd5356c66da44dff58687965 *ph1992-04-29d1t10.flac
ac7ecd852139a07bb3e13eb788b2fc56 *ph1992-04-29d1t11.flac
adecb120e9ee2fe9eed91137172125ee *ph1992-04-29d2t01.flac
c967a5321b10010f220ed9cc56ba4d33 *ph1992-04-29d2t02.flac
927ed645498bbe66621bc8a5e1f33606 *ph1992-04-29d2t03.flac
30faca62542b6d4faba5b6365c0c7c48 *ph1992-04-29d2t04.flac
59b7f6a6c9edfa5025f8d6d52b854d83 *ph1992-04-29d2t05.flac
f656a0aa0db4960d832930661a802c09 *ph1992-04-29d2t06.flac
e61f9832cbab0326f43db15c7bae15e4 *ph1992-04-29d2t07.flac
0df4c2eea1a0cc7ebdfbaf3ce2ebc21a *ph1992-04-29d2t08.flac
2a13f0408fef79d98090c7931bd99f75 *ph1992-04-29d2t09.flac
1075ede823ca8966e25490597feb36b2 *ph1992-04-29d2t10.flac
247697875e7e6280184942c35f2209e0 *ph1992-04-29d2t11.flac
406e7cfc891a625521af941a13a871f3 *ph1992-04-29d2t12.flac
685bab20ed962a9c6a8152b746dd447a *ph1992-04-29d2t13.flac

shntool output:
length expanded size cdr WAVE problems filename
5:23.23 57031340 --- -- ---xx ph1992-04-29d1t01.flac
8:32.52 90439148 --- -- ---xx ph1992-04-29d1t02.flac
4:01.55 42641804 --- -- ---xx ph1992-04-29d1t03.flac
8:39.11 91577516 --- -- ---xx ph1992-04-29d1t04.flac
7:32.19 79777532 --- -- ---xx ph1992-04-29d1t05.flac
5:52.30 62163404 --- -- ---xx ph1992-04-29d1t06.flac
6:59.70 74076284 --- -- ---xx ph1992-04-29d1t07.flac
3:46.01 39868796 --- -- ---xx ph1992-04-29d1t08.flac
4:59.74 52917692 --- -- ---xx ph1992-04-29d1t09.flac
6:52.47 72787388 --- -- ---xx ph1992-04-29d1t10.flac
10:50.10 114683564 --- -- ---xx ph1992-04-29d1t11.flac
3:57.51 41926796 --- -- ---xx ph1992-04-29d2t01.flac
10:55.49 115657292 --- -- ---xx ph1992-04-29d2t02.flac
6:01.03 63687500 --- -- ---xx ph1992-04-29d2t03.flac
1:43.10 18192764 --- -- ---xx ph1992-04-29d2t04.flac
4:54.56 51993356 --- -- ---xx ph1992-04-29d2t05.flac
9:46.24 103426892 --- -- ---xx ph1992-04-29d2t06.flac
6:41.10 70759964 --- -- ---xx ph1992-04-29d2t07.flac
2:03.45 21803084 --- -- ---xx ph1992-04-29d2t08.flac
6:36.53 69979100 --- -- ---xx ph1992-04-29d2t09.flac
8:40.22 91779788 --- -- ---xx ph1992-04-29d2t10.flac
5:04.47 53736188 --- -- ---xx ph1992-04-29d2t11.flac
3:46.21 39915836 --- -- ---xx ph1992-04-29d2t12.flac
2:42.69 28739132 --- -- ---xx ph1992-04-29d2t13.flac
146:24.27 1549562160 B (totals for 24 files, 0.5271 overall compression ratio)


Notes:
A couple of seconds are missing from the beginning of "Suzie Greenburg".
Sorry for the late start. There are two short gaps at the end of Rift
where the taper ahead of me in the chain flipped without warning -- my own
tape ran out moments before the song ended and needed to be flipped, too.
Tape flip in the second set as I Am Hydrogen begins. Paul's deck was
leading the chain and ran out. He was busy mixing, so it was a few
seconds before he could be alerted that the tape needed to be flipped.

Editing:
Essentially, none. There was no EQ, digital noise reduction, or other
digital post-processing applied. Normalization was achieved with the
DA-20 level control and level margin indicator (and repeated transfer
attempts until the levels were just exactly perfect). Regarding
"essentially" -- two tracks were taken into Cool Edit for very minor
repair. "Possum" -- one pop was carefully removed the first time they all
sing "Possum" together in the first chorus. "Love You" had a few pops in
it, possibly microphone overload (this is evident in the first set
audience tape, so it was not brickwalling anywhere in the tape chain).
These pops were removed where Fishman (I mean Henrietta) says "Hello
Minneapolis" and "Peter" (as in Peter Schall). There were a couple of
mild snapping noises during the Electrolux solo, but these were left alone
as IMHO they are part of the authentic sound.

All tracks have been checked for correct CD sector boundaries.

The story behind this tape lineage:
My friend Brad told me I should come out for this show since it was only
200 some miles from where I lived, and to bring my deck and cables to
patch from the board. So, I didn't bring my mic rig with me. I got
there, attempted to stealth my gear in and was caught (only time that ever
happened -- fooled by the ominous NO TAPING sign)... told them the band
said it was OK. They checked, came back, said something like "Aww, I
wanted a new tape deck", and let me in. Col. Bruce Hampton was getting
ready to play, so I settled down with a beer. Didn't see Brad anywhere.
After the set, I talked to Paul and told him Brad said it would be all
right to patch in. Paul said he'd have to hear that from Brad. Well...
I held out about as long as I could waiting to Brad to turn up, but no...
so, just as set one began I patched into a D5 that belonged to someone I'd
just met there. Some time after flipping the tape during the first set, I
see Brad and Paul chatting at the board and wander over.

"Hey, got your patch right?"
"No."
(some discussion)
"Want it?"
"Well... I'd rather not interrupt a rolling tape. Can I get it for set two?"
"Sure."

So, for set two I was patched out of Chris Kuroda's D6 (and it was also my
job to run his deck while he handled the lights -- masterfully as always).
Kind of a shame the first set patch did not materialize, but I'm glad to
have got what I got. I checked the other decks and none of them were
using noise reduction. I've always liked to use that (dbx usually) and
leave plenty of headroom, so my guess is that this second set may be a
sonic upgrade from what previously circulated. The first set has not, to
my knowledge, circulated previously as a digital copy of this audience
master; only as cassette copies.

When the other audience tapers saw I'd gotten a patch, they all wanted to
patch with me. I nearly had to fend them off with a shillelagh. ;-) I
promised some of them copies, but nobody ever contacted me. Analog copies
of the whole show were circulated back in the day. Now, enjoy the whole
thing direct from the masters. Remind me not to take 16 years to get
stuff out next time...