Tom Petty & The Heartbreakers
Irving Plaza
New York, NY
April 11, 1999
3 Source SBD + AUD Matrix Mix
(60%-AUD1 + 20%-AUD1 + 20%-AUD2)
Disc 1
01 [01:11] Intro
02 [01:50] Rip It Up
03 [04:20] Jammin' Me
04 [04:57] Runnin' Down A Dream
05 [06:39] Call Me The Breeze
06 [06:12] Swingin'
07 [07:16] Mary Jane's Last Dance
08 [03:52] Telstar
09 [04:14] Listen To Her Heart
10 [08:32] You Don't Know How It Feels
11 [11:38] It's Good To Be King
12 [03:51] I Won't Back Down
13 [04:03] Green Onions
14 [04:00] I Want You Back Again
15 [02:59] I Got A Woman
TT [75:43]
Disc 2
01 [04:59] The Letter
02 [03:17] Little Maggie
03 [04:17] Lay Down My Ole Guitar
04 [03:49] Walls
05 [04:08] Angel Dream
06 [01:25] Titanic
07 [05:42] Room At The Top
08 [02:49] Heartbreakers Beach Party
09 [02:49] Guitar Boogie Shuffle
10 [03:28] Even The Losers
11 [02:53] I Don't Wanna Fight
12 [05:13] Country Farm
13 [07:54] You Wreck Me
Encore
14 [04:11] Free Girl Now
15 [08:35] Gloria
TT [65:36]
Source Info
SBD
SBD > DAT(M) > DAT(1) > DAT(2) >CDRW700 > EAC > FLAC
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD1
Schoeps MK4 > SX-M2 > SBM-1 > D100 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD2
AKG300b's > Aero > PCM-M1 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
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Tech Notes
FLACs were decoded to wave and SF 8.0 was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch all 3 sources. CEP2.0 used to adjust the volume for
all 3 sources. Multitrack mixdown was performed using CEP2.0.
This is a 60% SBD, 20% AUD1, 20% mix.
- Mixed by dan@am-dig.com
- FLAC conversion done 17-JLY-2005
- Artwork by dan@am-dig.com 300dpi - For best results print
at the highest resolution onto glossy photo paper. Design for
use with a clear slim double jewel case.
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Notes
Disc 1 and disc 2 can be assembled seamlessly on longer media.
There was an audible line buzz running throughout the SBD
recording. This was likely not going over the PA as the buzz
is not apparent on either of the AUD sources. The SBD DAT
recording continued to run after the feed from the SBD had
ended and the buzz continued. This leads me to concluded it
was a line feed problem. Bad cable possibly? Because the
recording continued after the music ended a perfect recording
of the buzz was recorded. This allowed me to accurately
capture and then remove the noise throughout the recording
very accurately without disturbing the fidelity of the
recording. This was done with Soundforge 8.0 using the
highest quality setting.
The 2 AUD tapes made that night were from similar locations
as you can hear the same 'cat calls', claps, etc. on both
recordings. However the 2 recordings still blended well
together and had different and unique sounds.
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Additional Formats
This show is available in the following formats:
1. The straight SBD, AUD1 and AUD2 recordings.
2. SBD + AUD1 + AUD2 Matrix Mix at 16/44 CD-Audio
3. SBD + AUD1 + AUD2 Matrix Mix at 24/96 DVD-Audio
4. SBD + AUD1 + AUD2 DTS-Audio-CD 5.1 Surround Sound
5. SBD + AUD1 + AUD2 DVD-Audio 5.1 Surround Sound
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FLAC fingerprint
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