Filmed from the right-center part of the balcony (more center than right).

There is a 2 camera version that circulates that combines the video of D299 & D2061 with the upgraded audio of JF {LB-01175) & JC.

Bob Dylan
The Beacon Theatre
New York City, NY (USA)
October 16, 1990

SugarMegs Audio Only version


Source: 1st gen NTSC tape > Canon ZR80>iMovie HD > iDVD5. Sound upgraded with excellent LB-01175 (JF Master)(-1.05% speed reduction).

https://dvdylan.com/dvd/D299.su2
4/5/4/5/4

DVD 1:
Dixie (instrumental)
Most Likely You Go Your Way (And I'll Go Mine)
Man In The Long Black Coat
Silvio
T.V. Talkin' Song
Under The Red Sky
Wiggle Wiggle
It's Alright, Ma (I'm Only Bleeding)
One Too Many Mornings
Two Soldiers
Mr. Tambourine Man
Everything Is Broken
Joey
Positively 4th Street
All Along The Watchtower
Like A Rolling Stone
Blowin' In The Wind
Highway 61 Revisited

Total time = 74:45

Personnel:
Bob Dylan - vocals, harmonica, & guitar
GE Smith - guitar & electric slide guitar
John Staehely - guitar
C�sar Diaz - guitar & electric slide guitar
Tony Garnier - bass
Christopher Parker - drums

Type: Video
Type: NTSC, color, menu and chapters
Codec: MPEG-1/2 Video (mpgv)
Video resolution: 720x480
Aspect ratio: 4:3
Frame rate: 29.970030

Type: Audio
Codec: DVD LPCM Audio (lpcm)
Channels: Stereo
Sample rate: 48000 Hz
Bits per sample: 16

I'll include parts of a '07 review by someone named Jim50 that used to be posted on DVDylan but it now seems absent: "You might start to watch this film and think - d�j� vu - you�ve seen it somewhere before. That would probably be on D039.su, shot from the same balcony of the same theatre (though a bit further left) the night after this one. Both tapers (possibly the same person?) enjoy a steep but open view down onto the stage - thus good access to Bob and assorted players, though rather less than full face. Though on both nights Bob wears a hat, this first time it has no brim and only a modest peak, so doesn�t much impede. (The next night�s grey fedora makes it more problematic to film Bob's face.) Tonight�s camera position is just right of centre-stage. Handling, after a few minutes to settle, is consistently fine, heads no problem and picture quality passing good (clean images but muted colours). Five days into the year�s fifth and last tour - 30 US dates through 17 states in 39 days - and we find Bob playing his second night of five at New York�s Beacon Theatre. At the end of this short residency, after more than two years and nearly 250 shows with the band, GE will take his leave, which explains this evening�s rotation of guitarists. As well as GE himself, John Staehely and Cesar Diaz (his two immediate replacements, though neither will last very long) both get stage-time to prepare them for what�s to come. We find a band blasting out some high-octane, adrenaline-fuelled rock. Staehely in particular seems determined to make his mark and in the early part of the gig in which he figures, it�s all Bob can do to out-sing his swollen sound. Everything, too, is quick-fire and hyper (eighteen numbers in under 75 minutes tells its own story) and most everything, especially 'You Go Your Way,' & 'Man in a Long Black Coat' suffers accordingly...While he�s on stage, GE dominates, stealing the show, letting everyone know (perhaps Bob most of all) just how hard an act he�ll be to follow. The truth of that will become apparent soon enough."